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"Plaisir d'amour": Scores at the International Music Score Library Project; Plaisir d' amour, hundreds of renditions by hundreds of artists, MusicMe.com; on YouTube, sung by Rina Ketty (1939) "Plaisir d'amour" ou petite histoire d'une romance de plus de 200 ans, history, sheet music and MIDI file, by Denis Havard de la Montagne (in French)
In addition, his highly popular church music combined old forms with modern theatricality, and his chansons including "Plaisir d'amour" were influential. In 1788, he paid 16.000 livres to become surintendant de la musique du roi.
"Can't Help Falling in Love" is a song written by Hugo Peretti, Luigi Creatore, and George David Weiss and published by Gladys Music, Inc. [2] The melody is based on "Plaisir d'amour", [4] a popular French love song composed in 1784 by Jean-Paul-Égide Martini. The song was initially written from the perspective of a woman as "Can't Help ...
An electronic version of the piece was used as background music for the 1980 arcade game Phoenix. Andy Williams recorded a version titled "Vino de Amor" by Tony Hiller and Nicky Graham on his 1984 album Greatest Love Classics
This list is of songs that have been interpolated by other songs. Songs that are cover versions, parodies, or use samples of other songs are not "interpolations". The list is organized under the name of the artist whose song is interpolated followed by the title of the song, and then the interpolating artist and their song.
In July, it was released as a single in the U.K., where its B-side was "Plaisir d'amour". [9] The single became a Top Ten hit in the U.K., reaching #8. [10] It was also nominated for a Grammy Award for "Best Folk Recording". [11] In the U.S. it peaked at #50 on the Billboard chart [12] — a good showing, but not a hit. [13] In Canada the song ...
Harawi - Chant d'amour et de mort (French: Harawi - A Song of Love and Death) are a song cycle for "grand, dramatic" soprano and piano whose music and libretto were composed by Olivier Messiaen in 1945. They are considered to be the first part of his Tristan trilogy, a collection of works inspired by the myth of Tristan and Iseult.
The music is assumed to be the work of Cajus Schmiedtlein, organist at St. Mary’s Church in Gdańsk from 1585 to 1611, who would have been an important figure in the city’s musical and cultural life. [15] This attribution, however, is not certain and currently no evidence linking Schmiedtlein to the music is known. [16] [17] [18] [19]
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