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Randy Sparks founded the American large-ensemble folk-music group The New Christy Minstrels in 1961, during popular music's folk revival. The band recorded two Top 40 radio hits in 1963, Green, Green [1] and "Saturday Night", [2] but creative tensions within the organization led to Sparks' decision to leave. [3]
Many simple traditional music, folk music and rock and roll songs use only these three chord types (e.g. The Troggs' "Wild Thing", which uses I, IV and V chords). The same major scale also has three minor chords, the supertonic chord (ii), mediant chord (iii), and submediant chord (vi), respectively.
In 1956, while still in high school, he joined The Sunset Travelers as one of the lead singers of the gospel group. [3] He later fronted a gospel music group, the Harmony Echoes. [ 4 ] It was during this time that he was discovered (along with James Carr ) by Roosevelt Jamison , a songwriter and manager. [ 4 ]
WASHINGTON (Reuters) -A massive winter storm moving across the United States will not keep the U.S. Congress from meeting on Monday to formally certify Republican Donald Trump's election as ...
A drone hit the wing of a Canadair CL-415 Super Scooper plane fighting the LA fires. Cal Fire only has one other Quebec 1 aircraft in its arsenal.
Musical symbols are marks and symbols in musical notation that indicate various aspects of how a piece of music is to be performed. There are symbols to communicate information about many musical elements, including pitch, duration, dynamics, or articulation of musical notes; tempo, metre, form (e.g., whether sections are repeated), and details about specific playing techniques (e.g., which ...
U.S. President-elect Donald Trump said "anything can happen" when asked about the chances of going to war with Iran during his next term in an interview with Time, coinciding with his being named ...
A block chord is a chord or voicing built directly below the melody either on the strong beats or to create a four-part harmonized melody line in "locked-hands" [1] rhythmic unison with the melody, as opposed to broken chords. This latter style, known as shearing voicing, was popularized by George Shearing, but originated with Phil Moore. [1]
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