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The character Osono, from the play Hade Sugata Onna Maiginu (艶容女舞衣), in a performance by the Tonda Puppet Troupe of Nagahama, Shiga Prefecture. Bunraku (also known as Ningyō jōruri (人形浄瑠璃)) is a form of traditional Japanese puppet theatre, founded in Osaka in the beginning of the 17th century, which is still performed in the modern day. [1]
British puppet theatre (Punch and Judy style), c. 1770. The traditional British Punch and Judy puppetry traces its roots to the 16th century to the Italian commedia dell'arte. [45] The character of "Punch" derives from the character Pulcinella, which was Anglicized to Punchinello.
While shadow play theatre is an Asian invention, hand puppets have a long history in Europe. [11] As European merchant ships sailed in the search of sea routes to India and China, they helped diffuse popular entertainment arts and cultural practices into Europe. Shadow theatre became popular in France, Italy, Britain and Germany by the 17th ...
A hand puppet (or glove puppet) is a puppet controlled by one hand, which occupies the interior of the puppet. The Punch and Judy puppets are familiar examples of hand puppets. Larger varieties of hand puppets place the puppeteer's hand in just the puppet's head, controlling the mouth and head, and the puppet's body then hangs over the entire arm.
Bunraku (文楽, puppet theatre) [57] was a type of performance shorter in length and more affordable to the common class than kabuki. Bunraku performances were often based on plots used in kabuki, and the two styles shared common themes.
The puppet structure, puppeteering techniques, and storytelling voices, language, and expressions are all composed according to old traditions. The technical design, the style, and the composition of the Javanese plays grew from the worship of ancestors. [citation needed]
Medieval records prove the use of puppets in Noh plays too. The puppets were 3–4 feet (0.91–1.22 m)-tall, and the dolls were manipulated by puppeteers in full view of the audience. The puppeteers controlling the legs and hands of the puppets are dressed entirely in black, while the head puppeteer in contrast wears a colourful costume.
Hachioji Kuruma Ningyo is a Japanese puppet theater company that has been in the family of the founder of the kuruma ningyo style of puppetry since the 19th century. The company was named an Intangible Cultural Asset by the city of Tokyo and an Important Intangible Folk Cultural Property by the Japanese government.
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