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Keith Allen Haring (May 4, 1958 – February 16, 1990) was an American artist whose pop art emerged from the New York City graffiti subculture of the 1980s. [1] His animated imagery has "become a widely recognized visual language". [2]
Tuttomondo (1989) The Boxers (1987) Todos Juntos Podemos Parar el SIDA (1989) Tower (1987). Works are in the order that the Keith Haring Foundation's website has them in. [4] Many of Haring's works are untitled, part of a series, or have similar titles; the number given to artworks on the Keith Haring Foundation's website have been added in order to differentiate between artworks.
On "Pawn Stars," a man brought in two Keith Haring art pieces which ended up being worth a small fortune. APPRAISER: "I could see them in a gallery in New York in the $40-000-$50,000 range.
Haring viewed the Pop Shop as an extension of his work. It served to fulfill the artist's desire to make his iconic and beloved imagery accessible to the widest possible range of people both during his lifetime and posthumously through the Keith Haring Foundation. Every area of the store was devoted to Haring's work including floor-to-ceiling ...
The wide-open generosity of spirit in Keith Haring's vivacious work is seen in the Broad's deft show, which culls together about 120 works that he created between 1982 and 1989.
Drawing the Line: A Portrait of Keith Haring is a 1989 American short documentary film about artist Keith Haring.Produced and directed by Elisabeth Aubert, and narrated by Gina Belafonte, [1] the film highlights Haring's emergence from the New York City graffiti subculture of the 1980s, the mass marketing of his work and the opening of the Pop Shop, and the social commentary present in his ...
The Valley is a suite of etchings by Keith Haring, illustrating the eponymous final chapter from The Western Lands by William S. Burroughs, drawn in 1989 and published in 1990. [1]
Unfinished Painting is a 1989 painting by American artist Keith Haring. It is a 100 cm by 100 cm acrylic painting on canvas piece, recognizable by the large swath of canvas left exposed. [ 1 ] It is known as one of Haring's final paintings before his 1990 death from AIDS -related complications at the age of 31. [ 2 ]
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