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Satires 1.5, for example, recounts in detail a real trip Horace made with Virgil and some of his other literary friends, and which parallels a Satire by Lucilius, his predecessor. [66] Unlike much Hellenistic-inspired literature, however, his poetry was not composed for a small coterie of admirers and fellow poets, nor does it rely on abstruse ...
Horace diverges from classical portrayals of Ulysses in this satire. Ulysses is a heroic Greek protagonist, but in this poem he eschews the importance of noble bearing in favor of temporal riches. Michael Roberts writes that “the theme of perversion of human values runs throughout the satire,” [ 9 ] and this is especially relevant to the ...
Satire 2.1, Sunt quibus in satira ("There are those to whom I seem too harsh in satire") Horace, who is anxious his satires are making him unpopular, pretends to consult the famous jurist Gaius Trebatius Testa , who advises him to give up writing, or else to write an epic poem in honour of Augustus.
63-79 – The miser is a slave to his money. The good man is free and fearless, come what will. I.17 – On True Independence – (Address to Scaeva) Horace shows that one may observe proper deference towards a patron without sacrificing one's self-respect. He gives some humorous directions for gaining the favor of great men.
Book 1 consists of 38 poems. The opening sequence of nine poems are all in a different metre, with a tenth metre appearing in 1.11. It has been suggested that poems 1.12–1.18 form a second parade, this time of allusions to or imitations of a variety of Greek lyric poets: Pindar in 1.12, Sappho in 1.13, Alcaeus in 1.14, Bacchylides in 1.15, Stesichorus in 1.16, Anacreon in 1.17, and Alcaeus ...
Horace's injunction that poetry should both "instruct and delight" has been repeated so often that it has come to be known as the Horatian platitude. [16] The Horatian platitude is usually given as "instruct and delight", but sometimes as "instruct or delight". The first reading implies that all literature must be instructive.
"To His Coy Mistress", "The Garden", "An Horatian Ode" Andrew Marvell ( / ˈ m ɑːr v əl , m ɑːr ˈ v ɛ l / ; 31 March 1621 – 16 August 1678) was an English metaphysical poet , satirist and politician who sat in the House of Commons at various times between 1659 and 1678.
"Bread and circuses" (or "bread and games"; from Latin: panem et circenses) is a metonymic phrase referring to superficial appeasement.It is attributed to Juvenal (Satires, Satire X), a Roman poet active in the late first and early second century AD, and is used commonly in cultural, particularly political, contexts.
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