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St. Mary's on the Flats, originally known as the Church of Our Lady of the Lake, [1]: 34–35 [2]: 8 was the first Catholic church building in Cleveland, Ohio.The location where the church once stood can be found, in an 1881 atlas, [3] at the south-east corner of Columbus Ave. and then Girard Ave. on the east bank of the Cuyahoga river in the flats.
On 28 August 2015, Long Player was reissued in a remastered and expanded form, including two previously unreleased outtakes, "Whole Lotta Woman" and "Sham-Mozzal" (the latter actually being an early instrumental prototype of "Had Me a Real Good Time").
"Love Child" "My World Is Empty Without You" "Reflections" "You Can't Hurry Love" "Come See About Me" "Back in My Arms Again" "Good Lovin'" "Body and Soul" "Fields of Gold" "You Are So Beautiful" "Bad Case of Lovin' You" "Can't Get Enough of Your Love/Take Me in Your Arms" "Baby Love" "Stop! In the Name of Love" "You Keep Me Hangin' On" "U ...
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"Feels Like I'm in Love" on YouTube In 1979, Kelly Marie recorded the song for Pye Records. The song was a sleeper hit on the Scottish club scene before breaking through nationally in the summer of 1980, reaching the top of the UK Singles Chart in September. [ 6 ]
"Feel Like Makin' Love" is a song composed by singer-songwriter and producer Eugene McDaniels, and recorded originally by soul singer-songwriter Roberta Flack.The song has been covered by R&B and jazz artists including D’Angelo, Roy Ayers, Gladys Knight & the Pips, Lou Rawls, Isaac Hays, George Benson, Jeffrey Osborne, Larry Coryell, Johnny Mathis, and Marlena Shaw.
The Bells of St. Mary's is a 1945 American musical comedy-drama film, produced and directed by Leo McCarey and starring Bing Crosby and Ingrid Bergman.Written by Dudley Nichols and based on a story by McCarey, the film is about a priest and a nun who, despite their good-natured rivalry, try to save their school from being shut down.
Recorded Live On Stage [1] is the name of a 1963 live album recorded by Motown star Mary Wells. The album was the only live album released by the soul singer during her short but successful tenure with Motown Records in the early sixties. The album starts off with an a cappella introduction of Wells by her backup vocalists, The Love-Tones, who ...