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A higher performance design revision was granted FAA approval as the 14-19 Cruisemaster on September 26, 1949. [3] The new model featured structural upgrades, a 190 hp (142 kW) Lycoming O435-A engine, an increased gross weight of 2,600 lbs, hydraulically operated landing gear and flaps, and a deluxe interior. 99 of these airplanes were produced between 1949 and 1951.
Henry Pelham (February 14, 1748/49 – 1806) was an American painter, engraver, and cartographer active during the late 18th century. Pelham's many illuminating letters, especially to his half-brother and fellow painter John Singleton Copley, provide an important contemporary perspective of the events of the American Revolution .
A higher-performance design revision was granted FAA approval as the 14-19 Cruisemaster on September 26, 1949. [2] The new model had structural upgrades, a 190 hp (142 kW) Lycoming O435-A engine, an increased gross weight of 2,600 lb (1,179 kg), hydraulically operated landing gear and flaps, and an improved interior. 99 of these airplanes were produced between 1949 and 1951.
106 × 76 mm. B56. Virgin and Child Standing on a Crescent Moon. 1498–1500. Copper engraving. 107 × 77 mm. B30. The Man of Sorrows with Arms Outstretched. 1500.
Engraving of the battle, by Ambroise Louis Garneray. Captain Burnyeat left Portsmouth on 9 July 1795, bound for Madras and Bengal. [ 2 ] Because she was travelling in wartime, Burnyeat had arranged for a letter of marque , as was customary for EIC ships, which was issued to him on 1 May 1795. [ 3 ]
Drypoint is a printmaking technique of the intaglio family, in which an image is incised into a plate (or "matrix") with a hard-pointed "needle" of sharp metal or diamond point. In principle, the method is practically identical to engraving. The difference is in the use of tools, and that the raised ridge along the furrow is not scraped or ...
Master MZ was an engraver active in south Germany around 1500. [1] He signed his 22 engravings with his monogram "MZ", and six are dated, all 1500, 1501 or 1503. He worked in Munich in Bavaria, and in 1500 seems to have been connected to the court of Albert IV, Duke of Bavaria. There are complicated but inconclusive arguments for and against ...
Pierre-Edmé Babel. William Baillie (engraver) Johann Balzer. Alexander Bannerman (engraver) Jean Barbault. Bernard Baron. Francesco Bartolozzi. Isaac Basire (engraver) Andrew Bell (engraver)
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