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Illustration from Floral Poetry and the Language of Flowers (1877). According to Jayne Alcock, grounds and gardens supervisor at the Walled Gardens of Cannington, the renewed Victorian era interest in the language of flowers finds its roots in Ottoman Turkey, specifically the court in Constantinople [1] and an obsession it held with tulips during the first half of the 18th century.
Hanakotoba (花言葉) is the Japanese form of the language of flowers. The language was meant to convey emotion and communicate directly to the recipient or viewer without needing the use of words. The language was meant to convey emotion and communicate directly to the recipient or viewer without needing the use of words.
A candied violet or crystallized violet is a flower, usually of Viola odorata, preserved by a coating of egg white and crystallised sugar. Alternatively, hot syrup is poured over the fresh flower (or the flower is immersed in the syrup) and stirred until the sugar recrystallizes and has dried.
Various folk cultures and traditions assign symbolic meanings to plants. Although these are no longer commonly understood by populations that are increasingly divorced from their rural traditions, some meanings survive. In addition, these meanings are alluded to in older pictures, songs and writings.
The violet flower was a favorite in ancient Greece and became the symbol of Athens. The scent suggested sex, so the violet was an emblematic flower of Aphrodite and of her son, Priapus, the deity of gardens and generation. [12] [13] [14] Iamus was a son of Apollo and the nymph Evadne. He was abandoned by his mother at birth.
Viola mandshurica is a perennial species of violet known by the common names dōng běi jǐn cài (zh:东北堇菜) meaning 'northeastern violet' in China, jebikkot (ko:제비꽃) meaning 'sparrow flower' in Korea, and sumire (ja:菫, ja:スミレ) meaning 'violet' in Japan. [1]
First appearing in Italy, in the 20th century, most types of parma violets have lavender flowers of varying sizes, which have an attractive fragrance. The origins of the parma violet are unknown, though they have been shown to be derived from two different Viola alba strains, [1] and more closely resemble, in flower colour and odour, Viola odorata.
In classical Persian literature, the narcissus is a symbol of beautiful eyes, together with other flowers that equal a beautiful face with a spring garden, such as roses for cheeks and violets for shining dark hair. In western countries the daffodil is associated with spring festivals such as Lent and its successor Easter.