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"The World Tonight" is a song by Paul McCartney and is the second track on his 1997 album Flaming Pie. This song and Young Boy were featured in the 1997 movie Fathers' Day.. In the United States, the song was released as the first and only single from the album on 17 April 1997, peaking at number 64 on the Billboard Hot 100 and number 23 on the Billboard Modern Rock Tracks chart.
F major is the home key of the English horn, the basset horn, the horn in F, the trumpet in F and the bass Wagner tuba. Thus, music in F major for these transposing instruments is written in C major. Most of these sound a perfect fifth lower than written, with the exception of the trumpet in F which sounds a fourth higher.
The key was the favorite tonality of Olivier Messiaen, who used it repeatedly throughout his work to express his most exciting or transcendent moods, most notably in the Turangalîla-Symphonie. Like G-flat major, F-sharp major is rarely used in orchestral music, other than in passing. It is more common in piano music.
W. Watermelon Man (composition) Weary Blues. Categories: Compositions in F major. Jazz compositions by key.
Serenade in F major (Stanford) Six Flute Concertos, Op. 10 (Vivaldi) Sonatina in F major (attributed to Beethoven) Spring Song (Sibelius) State Anthem of Turkmenistan. Sternschnuppen, WAB 85. String Quartet (Blumenfeld) String Quartet (Ravel) String Quartet in F major, Hess 34.
Funk emphasizes the groove and rhythm as the key element, so entire funk songs may be based on one chord. Some jazz-funk songs are based on a two-, three-, or four-chord vamp. Some punk and hardcore punk songs use only a few chords. On the other hand, bebop jazz songs may have 32-bar song forms with one or two chord changes every bar.
Even while carrying $1.13 trillion in credit card debt, many Americans are still willing to splurge on travel and entertainment. But this summer it will cost even more thanks to “ funflation ...
The Sonata in F major ( HWV 369) was composed (before 1712) by George Frideric Handel for recorder and basso continuo (the autograph manuscript, a fair copy made most likely in 1712, gives this instrumentation in Italian: "flauto e cembalo"). [1] The work is also referred to as Opus 1 No. 11, and was first published in 1732 by Walsh.