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The title single, issued in July 1971, was backed with "Get Down". [3] [4]"Slipping Into Darkness", issued in November 1971 (backed with "Nappy Head"), War's first big hit since their name change from Eric Burdon and War, was on the Billboard Hot 100 for 22 weeks and so tied with Gallery's "Nice to Be With You" for most weeks on that chart all within the calendar year 1972.
Double album: half compilation, half new material; 6 7 RIAA: Gold [5] The Best of the Music Band: Released: 1982; Label: MCA Records — — The Best of War... and More: Released: 1987; Label: Avenue Records; Includes two new tracks and a remix; 156 — RIAA: Platinum [8] The Best of Eric Burdon and War: Released: 1996; Label: MGM Records ...
The Very Best of War is a two-disc compilation album by American rhythm and blues band War, which features tracks from 1970 to 1994. [2] It was issued in 2003 on Avenue Records, distributed by Rhino Records , and is similar to an earlier compilation, Anthology: 1970–1994 issued in 1994 by the same labels.
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The album attained the number one spot on Billboard, and was Billboard magazine's Album of the Year as the best-selling album of 1973. [2] In addition to being Billboard's #1 album of 1973, the album was ranked number 444 on Rolling Stone magazine's original list of the 500 greatest albums of all time. [3] The title track became a gold record.
War is the third album by American band War, and their first following the departure of singer Eric Burdon and the group's name change from the original Eric Burdon and War. It was released in March 1971 on United Artists Records , their first for the label.
Free broke up in 1971 due to tensions between members of the band. [1] In September, the group's first live album Free Live! was released, reaching number 4 on the UK Albums Chart and number 89 on the Billboard 200. [3] [6] The non-album single "My Brother Jake", released the same year, peaked at number 4 in the UK. [4]
Emergency! was originally released in 1969 by Polydor/PolyGram Records, [15] receiving widespread acclaim from major American publications. [16] In a contemporary review for The Village Voice, Robert Christgau hailed Williams as "probably the best drummer in the world" and was astonished by the album, [14] calling it "a frank extrapolation on the most raucous qualities of new thing jazz and ...