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"Keep the Fire Burnin' " is a song by REO Speedwagon from their 1982 album Good Trouble. This single was the only track from the Good Trouble album to make the top ten on the pop charts , cresting at number seven.
The song was published first as "'Till the Boys Come Home" on 8 October 1914 by Ascherberg, Hopwood and Crew Ltd. in London. [2] A new edition was printed in 1915 with the name "Keep the Home-Fires Burning". [2] The song became very popular in the United Kingdom during the war, along with "It's a Long Way to Tipperary". [citation needed]
"Keep Your Lamp(s) Trimmed and Burning" is a traditional gospel blues song. It alludes to the Parable of the Wise and Foolish Virgins , found in the Gospel of Matthew at 25:1-13 , and also to a verse in the Gospel of Luke , at 12:35 .
Doris Mae Akers (May 21, 1923 – July 26, 1995) [1] was an American gospel music composer, arranger and singer who is considered to be "one of the most underrated gospel composers of the 20th century [who] wrote more than 500 songs". [2]
"Oil in My Lamp", also known as "Give Me Oil in My Lamp" and "Sing Hosanna", is a Christian hymn based on the Parable of the Ten Virgins. The song has been recorded many times and was a hit in Jamaica in 1964 for Eric "Monty" Morris, [1] as well as appearing on The Byrds' 1969 album Ballad of Easy Rider, and also as a single (on the B side of Ballad of Easy Rider, Columbia 44990).
Keep the Fire Burnin ' may refer to: "Keep the Fire Burnin '" (REO Speedwagon song), 1982 "Keep the Fire Burnin '" (Dan Hartman song), 1994; Keep the Fire Burnin' ...
A new compilation album, titled Keep the Fire Burnin', was then released later in the year. The album spawned two singles, both of which were new songs: "The Love in Your Eyes" and "Keep the Fire Burnin'", the latter featuring Loleatta Holloway, who Hartman had worked with before. [6] As a single, the song reached No. 49 in the UK. [7] "
Bing Crosby included the song in a medley on his album 101 Gang Songs (1961). Pete Seeger gave it additional folk music visibility by performing it at the 1964 Newport Folk Festival, and played it many times throughout his career, adapting the lyrics and stating the song's relevance as an American song, not just a spiritual. [14]
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