Ad
related to: resonance schumann direct play free piano
Search results
Results from the WOW.Com Content Network
Adagio and Allegro, Op. 70, is a chamber music piece in A-flat major for piano and horn (optionally cello, double bass, viola or violin) by Robert Schumann. It was written in February 1849. Schumann planned alternative editions before it was printed in which the horn or cello or violin could be replaced.
The global electromagnetic resonance phenomenon is named after physicist Winfried Otto Schumann who predicted it mathematically in 1952. Schumann resonances are the principal background in the part of the electromagnetic spectrum [2] from 3 Hz through 60 Hz [3] and appear as distinct peaks at extremely low frequencies around 7.83 Hz (fundamental), 14.3, 20.8, 27.3, and 33.8 Hz.
Robert Schumann [n 1] (German: [ˈʁoːbɛʁt ˈʃuːman]; 8 June 1810 – 29 July 1856) was a German composer, pianist, and music critic of the early Romantic era. He composed in all the main musical genres of the time, writing for solo piano, voice and piano, chamber groups, orchestra, choir and the opera. His works typify the spirit of the ...
Robert Schumann's Introduction and Concert Allegro (German: Konzert-Allegro mit Introduktion) in D minor for piano and orchestra, Op. 134, was one of his last works. Composed in 1853, Schumann gave the autograph score to his wife, Clara Schumann, as a birthday gift; she would give the first performance on 26 November. [1]
The Symphonic Studies (French: Études Symphoniques), Op. 13, is a set of études for solo piano by Robert Schumann. It began in 1834 as a theme and sixteen variations on a theme by Baron von Fricken, plus a further variation on an entirely different theme by Heinrich Marschner .
In 1849, Robert Schumann explored the horn as a solo instrument, dedicating to it an "Adagio and Allegro," Op. 70, before embarking on the composition of an orchestral work featuring four solo horns (having also composed the "Five Songs based on Heinrich Laube's Hunting Compendium" for men's choir and four horns, Op. 137 that same year).
Davidsbündlertänze (Dances of the League of David), Op. 6, is a group of eighteen pieces for piano composed in 1837 by Robert Schumann, who named them after his music society Davidsbündler. The low opus number is misleading: the work was written after Carnaval , Op. 9, and the Symphonic Studies , Op. 13.
Because his first 26 published works were all written for solo piano, the first ten years of Schumann's career are strongly associated with the instrument; nevertheless, he composed and published work for the piano throughout his entire life, and Schumann's final composition, the Geistervariationen, was a set of variations for solo piano.
Ad
related to: resonance schumann direct play free piano