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Title page of Beowulf: The Monsters and the Critics, 1936 "Beowulf: The Monsters and the Critics" was a 1936 lecture given by J. R. R. Tolkien on literary criticism on the Old English heroic epic poem Beowulf. It was first published as a paper in the Proceedings of the British Academy, and has since been reprinted in many collections.
The essays are: "Beowulf: The Monsters and the Critics" looks at the critics' understanding of Beowulf, and proposes instead a fresh take on the poem. "On Translating Beowulf " looks at the difficulties in translating the poem from Old English. "On Fairy-Stories", the 1939 Andrew Lang lecture at St Andrew's University, is a defence of the ...
Beowulf and the Critics by J. R. R. Tolkien is a 2002 book edited by Michael D. C. Drout that presents scholarly editions of the two manuscript versions of Tolkien's essays or lecture series "Beowulf and the Critics", which served as the basis for the much shorter 1936 lecture "Beowulf: The Monsters and the Critics".
An introduction gives first an overview of Beowulf as a poem. Heaney notes that "one publication stands out" when considering it as a work of literature: J. R. R. Tolkien's 1936 essay "Beowulf: The Monsters and the Critics". [7]
The Beowulf manuscript was transcribed from an original by two scribes, one of whom wrote the prose at the beginning of the manuscript and the first 1939 lines, before breaking off in mid-sentence. The first scribe made a point of carefully regularizing the spelling of the original document into the common West Saxon, removing any archaic or ...
The first two, A Concise Anglo-Saxon Dictionary and Beowulf and the Fight at Finnsburg: A Translation into Modern English Prose, quickly became authoritative works that went through four editions each. [34] [35] Hall's third book, a translation of Swedish essays on Beowulf by Knut Stjerna, was similarly influential. [36]
Tolkien ends the essay with an analysis of lines 210–228 of Beowulf, providing the original text, marked up with stresses and his metrical patterns for each half-line, as well as a literal translation with poetical words underlined. He notes that there are three words for boat and for wave, five for men, four for sea: in each case some are ...
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