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Charles Rennie Mackintosh (7 June 1868 – 10 December 1928) was a Scottish architect, designer, water colourist and artist. His artistic approach had much in common with European Symbolism . His work, alongside that of his wife Margaret Macdonald , was influential on European design movements such as Art Nouveau and Secessionism and praised by ...
Front Row L-R: Herbert McNair and Charles Rennie Mackintosh. The Gift of Doves, 1904. James Herbert McNair (23 December 1868 – 22 April 1955), was a Scottish artist, designer and teacher whose work contributed to the development of the Modern Style (British Art Nouveau style) during the 1890s.
The Willow Tearooms are tearooms at 217 Sauchiehall Street, Glasgow, Scotland, designed by internationally renowned architect Charles Rennie Mackintosh, which opened for business in October 1903. They quickly gained enormous popularity, and are the most famous of the many Glasgow tearooms that opened in the late 19th and early 20th century.
The building was constructed between 1989 and 1996 based on a 1901 Art Nouveau house design by Charles Rennie Mackintosh and his wife, Margaret MacDonald. The house is situated in Glasgow's Bellahouston Park and sits east of the site of the Festival Tower of the Empire Exhibition, Scotland of 1938.
Although Charles Rennie Mackintosh was not a jeweller himself, he made a significant contribution to influencing the style of jewellery through his work as a designer. Today, "Charles Rennie Mackintosh" jewellery is sold that are pieces made to replicate decorative work he did on furniture, buildings, and light fixtures. [50]
Windy Hill or Windyhill is a house designed by Charles Rennie Mackintosh and furnished by him and his wife, Margaret Macdonald, in Kilmacolm, Scotland. [1] It is Category A listed and remains as a home in private ownership. Windy Hill is also the name of a hill in the Clyde Muirshiel Regional Park which borders Kilmacolm. [2]
A centenary exhibition, "Charles Rennie Mackintosh & The Great War" ran from 1 February – 29 April 2017. This comprised exhibits from the late career of Mackintosh and examined the wider context for his work on 78 Derngate against the background of the First World War. The exhibition was the largest display of Mackintosh design in England.
Talwin Morris suggested Charles Rennie Mackintosh as the architect for Hill House, and Blackie, despite Mackintosh's youthfulness, was convinced after seeing other houses designed by him. Blackie had specific requirements for the construction, seeking grey rough-cast walls and a slate roof instead of traditional materials like bricks and wood ...
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