Search results
Results from the WOW.Com Content Network
Square pianos were built in great numbers through the 1840s in Europe and the 1890s in the United States, and saw the most visible change of any type of piano: the iron-framed, over-strung squares manufactured by Steinway & Sons were more than two-and-a-half times the size of Zumpe's wood-framed instruments from a century before.
They built a full line of upright pianos, player pianos, and grand pianos. It was acquired circa 1910; went out of business in the Great Depression. Beale Piano: Sydney: Australia 1893–1975 Becker Brothers: New York: US 1892–1940 They Also built pianos under the Bennington name, and player pianos under the Mellotone and Playernola name as well.
Fortepiano by Paul McNulty after Walter & Sohn, ca. 1805. The earliest pianos by Cristofori (ca. 1700) were lightweight objects, hardly sturdier in framing than a contemporary harpsichord, with thin strings of low tensile strength iron and brass and small, lightweight hammers.
Some of Steinway's most notable art case pianos are the Alma-Tadema grand piano from 1887, the 100,000th Steinway piano from 1903, the 300,000th Steinway piano from 1938, and the Sound of Harmony from 2008. The Alma-Tadema grand piano was designed by Sir Lawrence Alma-Tadema and received great public acclaim when it was exhibited in London. [126]
Jonas Chickering made several major contributions to the development of piano technology, most notably by introducing a one-piece, cast-iron plate to support the greater string tension of larger grand pianos. He also invented a new deflection of the strings, and in 1845 the first convenient method for over stringing in square pianos.
These are the ways in which it is possible to play the Arpicimbalo del piano e forte, invented by Master Bartolomeo Christofani of Padua in the year 1700, harpsichord maker to the Most Serene Grand Prince Ferdinand of Tuscany. (transl. Stewart Pollens) According to Scipione Maffei's journal article, by 1711 Cristofori had built three pianos.
The Piano, by Nakamura DaizaburÅ, painted in 1926, demonstrating piano playing in TaishÅ-era Japan. Pianos were adopted in Japan in the late 19th century, after the Meiji Restoration as part of modernization reforms. To the reformers who were threatened with European domination, the piano functioned as a symbol of international modernity ...
Bösendorfer makes eight models of grand piano from 155 cm to 290 cm in length (5'1" to 9'6") and two vertical pianos,120 cm and 130 cm in height (47" and 51"). The Imperial Grand is one of the world's largest pianos. [12] Each numerical Bösendorfer model directly corresponds to its length in centimeters.