Search results
Results from the WOW.Com Content Network
Goodbye, Columbus is a 1969 American romantic comedy-drama film starring Richard Benjamin and Ali MacGraw, directed by Larry Peerce and based on the 1959 novella by Philip Roth. The screenplay, by Arnold Schulman , won the Writers Guild of America Award .
Richard Samuel Benjamin (born May 22, 1938) is an American actor and film director. He has starred in a number of well-known films, including Goodbye, Columbus (1969), Catch-22 (1970), Portnoy's Complaint (1972), Westworld, The Last of Sheila (both 1973) and Saturday the 14th (1981).
Elizabeth Alice MacGraw (born April 1, 1939) [a] is an American actress. She first gained attention with her role in Goodbye, Columbus (1969), for which she won a Golden Globe Award for Most Promising Newcomer.
The title “Goodbye, Columbus” is a quote from a song that was sung by the departing seniors, including Brenda's brother, Ron, at their graduation from The Ohio State University at Columbus. Ron dearly enjoys listening to a record of the song that evokes his years as a varsity athlete on a campus where sports are important.
Lawrence "Larry" Peerce (born April 19, 1930) is an American film and TV director whose work includes the theatrical feature Goodbye, Columbus (1969), the early rock and roll concert film The Big T.N.T. Show (1965), One Potato, Two Potato (1964), The Other Side of the Mountain (1975) and Two-Minute Warning (1976).
Twentieth Century Fox. Cast: Macaulay Culkin, Joe Pesci, Daniel Stern, John Heard, Catherine O'Hara Rating: PG Director: Chris Columbus Run Time: 103 minutes Reviews: Rotten Tomatoes 66% | IMDb 7. ...
Cast members past and present walked the red carpet at London’s Festival Hall last night for the finale celebration and a premiere screening of the last ever episode.
Structurally, Portnoy's Complaint is a continuous monologue by narrator Alexander Portnoy to Dr. Spielvogel, his psychoanalyst; Roth later explained that the artistic choice to frame the story as a psychoanalytic session was motivated by "the permissive conventions of the patient-analyst situation," which would "permit me to bring into my fiction the sort of intimate, shameful detail, and ...