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  2. Alfred Cortot - Wikipedia

    en.wikipedia.org/wiki/Alfred_Cortot

    Alfred Denis Cortot [n 1] (/ k ɔːr ˈ t oʊ / kor-TOH, French: [alfʁɛd dəni kɔʁto]; 26 September 1877 – 15 June 1962) was a French pianist, conductor, and teacher who was one of the most renowned classical musicians of the 20th century.

  3. École Normale de Musique de Paris - Wikipedia

    en.wikipedia.org/wiki/École_Normale_de_Musique...

    The École was founded on 6 October 1919 as a private institution by French pianist Alfred Cortot and Auguste Mangeot, director of the magazine Le Monde musical.. In 1927, the school moved from a building in the rue Jouffroy-d'Abbans to 114 bis boulevard Malesherbes, a Belle Époque mansion given by the Marquise of Maleissye, where it is situated to this day.

  4. Pleyel et Cie - Wikipedia

    en.wikipedia.org/wiki/Pleyel_et_Cie

    Pleyel's major contribution to piano development was the first use of a metal frame in a piano. Pleyel pianos were the choice of composers such as Chopin, Debussy, Saint-Saëns, Ravel, de Falla and Stravinsky and of pianists and teachers Alfred Cortot, Philip Manuel and Gavin Williamson. [5]

  5. Pièces pittoresques - Wikipedia

    en.wikipedia.org/wiki/Pièces_pittoresques

    Both Alfred Cortot (in La musique française de piano, PUF, 1932) and Francis Poulenc (Emmanuel Chabrier, 1961) discuss these short works enthusiastically. César Franck, at their premiere in 1881, remarked that those present had "just heard something exceptional. This music links our own time to that of Couperin and Rameau". [2]

  6. Alfred-Denis Cortot - Wikipedia

    en.wikipedia.org/?title=Alfred-Denis_Cortot&...

    Pages for logged out editors learn more. Contributions; Talk; Alfred-Denis Cortot

  7. Étude Op. 10, No. 1 (Chopin) - Wikipedia

    en.wikipedia.org/wiki/Étude_Op._10,_No._1_(Chopin)

    French pianist Alfred Cortot (1877–1962) states that the first difficulty to overcome is "stretch and firmness in shifting the hand over nearly the whole length of the keyboard." [14] Exercises introduced by Cortot, Gottfried Galston [de; fr] [15] and Alfredo Casella [16] deal mostly with stretch and anticipation of position changes.

  8. Marguerite Monnot - Wikipedia

    en.wikipedia.org/wiki/Marguerite_Monnot

    At age fifteen, she was sent to study in Paris. She had lessons from Vincent d’Indy in harmony and fugue, studied piano with Alfred Cortot, and learned harmony from Nadia Boulanger. The latter helped her to prepare for the Prix de Rome, although it is unclear whether she actually entered the competition formally.

  9. Isabel Rosales Pareja - Wikipedia

    en.wikipedia.org/wiki/Isabel_Rosales_Pareja

    She was a student of the Franco-Swiss pianist and conductor Alfred Cortot, and won the first piano prize at the Conservatoire de Paris. [3] She gave recitals and concerts in France and Ecuador. She became known as one of the "Three Muses of Guayaquil", along with her sisters, painter Leonor Rosales and ballet dancer Thalie Rosales.