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Play ⓘ. Conventional progression or cadence without tritone substitution, i.e., NOT Tadd Dameron turnaround. Play ⓘ. In jazz, the Tadd Dameron turnaround, named for Tadd Dameron, "is a very common turnaround in the jazz idiom", [1] derived from a typical I−vi−ii−V turnaround through the application of tritone substitution of all but the first chord, thus yielding, in C major:
Lady Bird" is a sixteen-bar jazz standard by Tadd Dameron. This "celebrated" composition, "one of the most performed in modern jazz", was written around 1939, [1] and released in 1948. [2] Featuring, "a suave, mellow theme," [3] it is the origin of the Tadd Dameron turnaround (in C: CM 7 E ♭ 7 A ♭ M 7 D ♭ 7 CM 7). [4] Play ⓘ
Dameron, Mary Lou Williams, and Dizzy Gillespie in Williams's apartment, c. June 1946 Photograph by William P. Gottlieb.. Born in Cleveland, Ohio, [1] Dameron was the most influential arranger of the bebop era, but also wrote charts for swing and hard bop players. [2]
The bridge of the Richard Rodgers song and jazz standard "Have You Met Miss Jones?" (1937) predated Tadd Dameron's "Lady Bird", after which Coltrane named his "Lazy Bird", by incorporating modulation by major third(s).
ii–V 7 –I turnaround in C Play ⓘ In jazz, a turnaround is a passage at the end of a section which leads to the next section. This next section is most often the repetition of the previous section or the entire piece or song. [1] The turnaround may lead back to this section either harmonically, as a chord progression, or melodically.
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