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The Buddhist cosmology is not a literal description of the shape of the universe; [2] rather, it is the universe as seen through the divyacakṣus (Pali: dibbacakkhu दिब्बचक्खु), the "divine eye" by which a Buddha or an arhat can perceive all beings arising (being born) and passing away (dying) within various worlds; and can ...
English: A chord chart for beginner ukulele players that demonstrates the correct fingerings to play the 36 basic chords. Whereas most chord charts display the fretboard vertically to save space, here the fretboard is intentionally horizontal (as how a ukulele is held) to make it easier for beginners (the target audience of this chart) to use.
[T]here is the realization that Amida is the Dharmakaya Buddha, Vairocana; then there is the realization that Amida as Vairocana is eternally manifest within this universe of time and space; and finally there is the innermost realization that Amida is the true nature, material and spiritual, of all beings, that he is 'the omnivalent wisdom-body ...
The Mahābrahmā, or the Great Brahma, is mentioned in Digha Nikaya as the being who dwells in the upper heaven; a Buddhist student can join him for one kalpa (eon, Brahma-year in Buddhism) after successfully entering the first jhana in the form realm of Buddhist practice. [2] In many Buddhist Suttas/Sutras, Mahabrahma pays visit to the Buddha.
One key Buddha in this sutra is the Buddha Vairocana ("Radiance" or "The Illuminator"). Vairocana is a supreme cosmic Buddha who is the source of light and enlightenment of the 'Lotus universe', and who is said to contain all world systems within his entire cosmic body.
The one subsequent hundred worlds are viewed through the lenses of the Ten suchnesses and the three realms of existence (Jpn. san-seken) to formulate three thousand realms of existence. [9] These hundred aspects of existence leads to the concept of "three thousand realms in a single moment (Jap. Ichinen Sanzen)." [10]
The Buddha-range of the Buddhas [i.e., the range of powers a Buddha develops as a result of becoming a Buddha]; The jhana-range of one absorbed in jhana [i.e., the range of powers that one may obtain while absorbed in jhana]; The [precise working out of the] results of kamma (Karma in Sanskrit);
Birth of the Buddha, Lorian Tangai, Gandhara.The Buddha is shown twice: being received by Indra, and then standing up immediately after. The iconography of the events reflects the elaborated versions of the Buddha's life story that had become established from about 100 AD in Gandharan art and elsewhere, such as Sanchi and Barhut, and were given detailed depictions in cycles of scenes ...
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