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Bak Fu Pai ("White Tiger Kung Fu") [8] Tiger Kung Fu / Shadong-style Tiger [9] Bak Hok Pai ("Tibetian White Crane") [10] Hop Ga Kuen [10] Bak Mei Kung Fu ("white eyebrow") [8] [7] Baoquan (Leopard fist) [6] Bei Tui ("Northern Legs") [11] Black Crane Kung Fu [12] Changquan ("long boxing") [12] [13] Chaquan [12] [14] Chin Na; Choy Gar [15] [16 ...
Other styles include: Choy Li Fut, Fujian White Crane, Dog-style kung fu, Five Ancestors, Wing Chun, Southern Praying Mantis, Hak Fu Mun, Bak Mei and Dragon-style. There are sub-divisions to Southern styles due to their similar characteristics and common heritage. For example, the Fujian martial arts can be considered to be one such sub-division.
The Ming general Qi Jiguang included a description of Shaolin kung fu and staff techniques in his book, Jixiao Xinshu, which can translate as New Book Recording Effective Techniques. When this book spread across East Asia, it had a great influence on the development of martial arts in regions such as Okinawa [ 16 ] and Korea.
It is the most famous, and of the most important styles of Shaolin kung fu. Shaolin monks developed Luohanquan as an advanced style based on the 18 hands of Luohan . [ 1 ] : vol2,p188 Luohanquan has been created in the early ages of Shaolin temple, but it was first officially documented by Shaolin monks in the "Shaolin Kung Fu Manual" in the ...
[4] [5] Its techniques are influenced by Bak Fu Pai (White Tiger Kung Fu) as well as Fujian White Crane. [ 1 ] [ 3 ] In addition, the style takes up postures that imitate the other five classic animals of Shaolin quan : the tiger, the crane, the leopard, the snake and the bear, as well as hand forms of the dragon style qi-gong and it's ...
Ziranmen (simplified Chinese: 自然门; traditional Chinese: 自然門; pinyin: zìránmén; Wade–Giles: tzu-jan men; literally "the ziran ["natural"] style"), also known as Natural Boxing, is a Northern internal style of kung fu [1] that is taught in conjunction with qigong breathing techniques.
Tien Shan Pai (天山派, pinyin Tiānshān pài) is a northern style of Kung-fu [1] which stresses rhythm, the demonstration of power accentuated by solid thuds made by the hands, the emitting of power from the entire body, the coordination of the hands and feet as well as blocks and strikes, high kicks and low sweeps, as well as locking and throwing techniques. [2]
Yi Lu Mai Fu (一路埋伏) and Er Lu Mai Fu (二路埋伏), the first and second Ways of Ambush, are powerful fundamental sequences that instruct clever and subtle methods of defense and attack. Both contain practical and effective escape and withdrawal techniques. They are intermediate forms that are considered the "foundation" of Long Fist.