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"The Lick" is a lick (a stock musical phrase) that has been used in numerous jazz and pop songs and part of several classical compositions to the point that it has been described as "the most famous jazz cliché ever". [1] In recent years, it has become an internet meme and is often used for comedic effect. [2] [3]
The Oriental riff and interpretations of it have been included as part of numerous musical works in Western music. Examples of its use include Poetic Tone Pictures (Poeticke nalady) (1889) by Antonin Dvořák, [6] "Limehouse Blues" by Carl Ambrose and his Orchestra (1935), "Kung Fu Fighting" by Carl Douglas (1974), "Japanese Boy" by Aneka (1981), [1] [4] The Vapors' "Turning Japanese" (1980 ...
Carter-style lick. [1] Play ⓘ In popular music genres such as country, blues, jazz or rock music, a lick is "a stock pattern or phrase" [2] consisting of a short series of notes used in solos and melodic lines and accompaniment. For musicians, learning a lick is usually a form of imitation. By imitating, musicians understand and analyze what ...
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Musical tones produced by the human voice and all acoustical musical instruments incorporate noises in varying degrees. Most consonants in human speech (e.g., the sounds of f, v, s, z, both voiced and unvoiced th, Scottish and German ch) are characterised by distinctive noises, and even vowels are not entirely noise free.
A term which refers to the ambient sounds that a microphone aimed at an instrument picks up from other instruments or singers in the same room. In some cases, "bleeding" is considered undesirable, if unwanted sounds from other instruments are picked up by a microphone. To prevent "bleeding", studios use isolation booths and cloth-covered room ...
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The musical goal of riff-driven songs is akin to the classical continuo effect, but raised to much higher importance (in fact, the repeated riff is used to anchor the song in the ears of the listener). The riff/continuo is brought to the forefront of the musical piece and often is the primary melody that remains in the listener's ears.
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