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A keyboard depicting note-color associations. The colors are experienced with the sounding of the note, and are not necessarily localized to piano keys. Chromesthesia or sound-to-color synesthesia is a type of synesthesia in which sound involuntarily evokes an experience of color, shape, and movement.
Ecomusicology considers aspects of environmental sustainability within music production and performance. For example, the relationship between a demand for a certain musical instrument as well as the costs and impacts of its production, has been an area of interest for Ecomusicologists investigating the sustainability of the consumption and production of music or musical instruments. [13]
Grapheme–color synesthetes, as a group, share significant preferences for the color of each letter (e.g., A tends to be red; O tends to be white or black; S tends to be yellow, etc.) [20] Nonetheless, there is a great variety in types of synesthesia, and within each type, individuals report differing triggers for their sensations and ...
Synchromism was developed by Stanton Macdonald-Wright and Morgan Russell while they were studying in Paris during the early 1910s. [7] In 1907, Stanton Macdonald-Wright studied the ideas of optical scientists such as Michel-Eugene Chevreul, Hermann von Helmholtz, and Ogden Rood in order to further develop color theory influenced by musical harmonies. [8]
Since this color combines red and blue, it corresponds to people who are both rooted in the physical realm (like red-dominant people) and also have the capacity for highly intuitive thinking (like ...
The incorporation of bird song in music is one of the most widely studied forms of biomusic. Notable in this regard is the French composer Olivier Messiaen who began incorporating accurately transcribed bird songs into his music in 1952. One obstacle facing the use of bird songs in music is their complexity and usually very high register.
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On Colors (Greek Περὶ χρωμάτων; Latin De Coloribus) is a treatise attributed to Aristotle [1] but sometimes ascribed to Theophrastus or Strato.The work outlines the theory that all colors (yellow, red, purple, blue, and green) are derived from mixtures of black and white.