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The Rush Hour franchise is a series of ... the film was not screened in Chinese theaters in 2007 to make way for a larger variety of foreign films, according to a ...
Rush Hour is a 1998 American buddy cop action comedy film directed by Brett Ratner and written by Jim Kouf and Ross LaManna from a story by LaManna. It stars Jackie Chan and Chris Tucker as mismatched police officers who are assigned to rescue a Chinese diplomat's abducted daughter.
Rush Hour: Yes No Chief Inspector Lee Hot War: No Yes — [21] An Alan Smithee Film: Burn Hollywood Burn: Yes No Himself Cameo Mulan: Yes No Captain Li Shang (voice) Cantonese & Mandarin dub [a] 1999 King of Comedy: Yes No Actor Cameo Gorgeous: Yes Yes C.N. Chan [21] Gen-X Cops: Yes No Fisherman Cameo 2000 Shanghai Noon: Yes Yes Chon Wang [21 ...
It also led to two sequels… and two more hits: 2001’s Rush Hour 2, Chan’s highest grossing of all time ($226 million in the U.S., $347m worldwide) and 2007’s Rush Hour 3 ($140 million in ...
Tsang also filmed several Singaporean Chinese dramas during the 1990s, notably the 1995 epic The Teochew Family and The Unbeatables II in 1996. Up to this point, Tsang had played roles in mainly Hong Kong movies. His first Hollywood film was The Replacement Killers (1998), also the Hollywood debut of co-star Chow Yun-fat.
Rush Hour 2 is a 2001 American buddy cop action comedy film directed by Brett Ratner and written by Jeff Nathanson.A sequel to Rush Hour (1998), it is the second installment in the Rush Hour franchise and stars Jackie Chan and Chris Tucker reprising their roles from the first film.
Rush Hour 3 was marketed as just another Rush Hour picture, in part because the movie itself is a slight romp, and lacked the event-style build-up that Rush Hour 2 had. What's more, Chan hasn't been on American screens for three years, while Tucker's last movie was Rush Hour 2. A repetitious entry in a series without a major new hook doesn't ...
Many movies that reach the three-hour mark are doing so to position themselves as “Oscar bait,” as the facile assumption is that any film of that length is a historical masterpiece of great ...
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