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  2. Audio system measurements - Wikipedia

    en.wikipedia.org/wiki/Audio_system_measurements

    Example: A 16-bit system has 2 16 different possibilities, from 0 – 65,535. The smallest signal without dithering is 1, so the number of different levels is one less, 2 16 − 1. So for a 16-bit digital system, the Dynamic Range is 20·log(2 16 − 1) ≈ 96 dB. Sample accuracy/synchronisation Not as much a specification as an ability.

  3. Clipping (audio) - Wikipedia

    en.wikipedia.org/wiki/Clipping_(audio)

    Clipping can occur within a system as processing (e.g. an all-pass filter) can change the phase relationship between spectral components of a signal in such a way as to create excessive peak outputs. The excessive peaks may become clipped even though the system can play any simple sine wave signals of the same level without clipping.

  4. Comparison of analog and digital recording - Wikipedia

    en.wikipedia.org/wiki/Comparison_of_analog_and...

    The dynamic range of an audio system is a measure of the difference between the smallest and largest amplitude values that can be represented in a medium. Digital and analog differ in both the methods of transfer and storage, as well as the behavior exhibited by the systems due to these methods.

  5. dBFS - Wikipedia

    en.wikipedia.org/wiki/DBFS

    A potential for ambiguity exists when assigning a level on the dBFS scale to a waveform rather than to a specific amplitude, because some engineers follow the mathematical definition of RMS, which for sinusoidal signals is 3 dB below the peak value, while others choose the reference level so that RMS and peak measurements of a sine wave produce ...

  6. Acoustic streaming - Wikipedia

    en.wikipedia.org/wiki/Acoustic_streaming

    Acoustic streaming is a steady flow in a fluid driven by the absorption of high amplitude acoustic oscillations. This phenomenon can be observed near sound emitters, or in the standing waves within a Kundt's tube. Acoustic streaming was explained first by Lord Rayleigh in 1884. [1] It is the less-known opposite of sound generation by a flow.

  7. Intermodulation - Wikipedia

    en.wikipedia.org/wiki/Intermodulation

    A linear time-invariant system cannot produce intermodulation. If the input of a linear time-invariant system is a signal of a single frequency, then the output is a signal of the same frequency; only the amplitude and phase can differ from the input signal.

  8. Clipping (signal processing) - Wikipedia

    en.wikipedia.org/wiki/Clipping_(signal_processing)

    For example in a system using 16-bit signed integers, 32767 is the largest positive value that can be represented, and if during processing the amplitude of the signal is doubled, sample values of 32000 should become 64000, but instead they are truncated to the maximum, 32767.

  9. Sound recording and reproduction - Wikipedia

    en.wikipedia.org/wiki/Sound_recording_and...

    Sound recording and reproduction is the electrical, mechanical, electronic, or digital inscription and re-creation of sound waves, such as spoken voice, singing, instrumental music, or sound effects. The two main classes of sound recording technology are analog recording and digital recording .

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