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The chariot is based on Roman models, not native British or Iceni models, and has a scythe blade attached to each wheel. The queen stands upright, in a flowing gown, with a spear in her right hand and her left hand raised. Her daughters, with bared breasts, crouch in the chariot, one to either side of their mother.
Gaius Appuleius Diocles (104 – after 146 AD) was a Roman charioteer. His existence and career are attested by two highly detailed contemporary inscriptions, used by modern historians to help reconstruct the likely conduct and techniques of chariot racing. He has been described in some modern sources as the highest-paid athlete of all time. [1]
Modern depiction (1876) by Jean Léon Gérôme of a chariot race in Rome's Circus Maximus, as if seen from the starting gate. The Palatine Hill and imperial palace are to the left. Chariot racing (Ancient Greek: ἁρματοδρομία, harmatodromía; Latin: ludi circenses) was one of the most popular ancient Greek, Roman, and Byzantine sports.
Roman children would push around toy chariots with wooden sticks or pull them along with strings. Children could have races between toy chariots driven by mice. Roman boys could use larger toy chariots with two or four wheels as riding devices. Artwork from sarcophagi and mosaics depicts these chariots being pulled by goats, peacocks, or dogs ...
The chariot for a two-horse racing team is not thought to differ otherwise from that drawn by a four-horse team, and so the horses of a biga pulled 50 kg each, while those of the quadriga pulled 25 kg each. [20] The models or statuettes of bigae were art objects, toys, or collector's items.
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The Circus of Carthage is a Roman circus in Carthage, in present-day Tunisia. Used for chariot racing, it was modeled on the Circus Maximus in Rome and other circus buildings throughout the Roman Empire. Measuring more than 470 m in length and 30 m in width, [1] it could house up to 45,000 spectators, roughly one third of the Circus Maximus.
Athletes doing "Trump dance" celebrations should think about what, exactly, they're glorifying.
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