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The Museum of International Propaganda features a permanent collection of propaganda posters, paintings, sculptures, and artifacts from more than 25 countries. The main gallery showcases unique and educational images, representing the political art of various nations, including North Korea, Cuba, Nazi Germany, China, Iran, and the Soviet Union. [1]
Participants left to right: Ba Maw, Zhang Jinghui, Wang Jingwei, Hideki Tojo, Wan Waithayakon, José P. Laurel, and Subhas Chandra Bose Fragment of a Japanese propaganda booklet published by the Tokyo Conference (1943), depicting scenes of situations in Greater East Asia, from the top, left to right: the Japanese occupation of Malaya, Thailand ...
The Greater East Asia Conference (大東亞會議, Dai Tōa Kaigi) was an international summit held in Tokyo from 5 to 6 November 1943, in which the Empire of Japan hosted leading politicians of various component parts of the Greater East Asia Co-Prosperity Sphere.
The museum was located in the basement of an apartment building in Huashan Road facing Wukang Road, in the former French Concession area until 2019 when it relocated to an office building on Yan'an West Road. [1] It has a rich collection of rare last-piece posters.
The International Friendship Exhibition is a large museum complex located at Myohyangsan, North Pyongan Province, North Korea. It is a collection of halls that house gifts presented to former leaders Kim Il Sung and Kim Jong Il from various foreign dignitaries. The protocol of gift-giving is well established in Korean culture. [1]
Keimin Bunka Shidōsho Office in Djakarta. Keimin Bunka Shidōsho (啓民文化指導所, lit."Cultural Enlightenment and Guidance Center", but more correctly "Institute for People's Education and Cultural Guidance", Indonesian: Poesat Keboedajaan) was a Japanese-sponsored art and cultural institution in the Dutch East Indies during the Japanese Occupation in World War II.
The Taisei Yokusankai movement has already turned on the switch for rebuilding a new Japan and completing a new Great East Asian order which, writ large, is the construction of a new world order.
The museum also received private collections of Pavel Kharitonenko, perfumer Henri Brocard, Orientalist Alexey Pozndeev, Nikolay Mosolov, and Igor Grabar. [6] Since 1924 the museum launched several expeditions to the Far East in order to collect new artifacts. By order of the Soviet government, from 1930 the exhibitions included propaganda ...