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Édouard Manet (UK: / ˈ m æ n eɪ /, US: / m æ ˈ n eɪ, m ə ˈ-/; [1] [2] French: [edwaʁ manɛ]; 23 January 1832 – 30 April 1883) was a French modernist painter. He was one of the first 19th-century artists to paint modern life, as well as a pivotal figure in the transition from Realism to Impressionism.
Edgar Degas, M. and Mme Édouard Manet, 1868–1869, Édouard Manet and Edgar Degas met by chance at the Louvre in 1862, and after an intense conversation and Manet's demonstration on the art of etching, they became lifelong friends. Sometime in 1868 Degas painted a portrait of Manet and his wife. Manet is reclining on a couch and Suzanne ...
Art historian Griselda Pollock suggested that she met the artist Édouard Manet while working as a nursemaid in the Tuileries Garden in Paris. Another theory suggests that Jeanne Duval, who was in a relationship with Manet's friend Charles Baudelaire, introduced Manet and Laure. This theory was discussed by Pollock, as well as by Manet ...
Victorine-Louise Meurent (also Meurant; February 18, 1844 – March 17, 1927) was a French painter and a model for painters. Although she is best known as the favorite model of Édouard Manet, she was an artist in her own right who regularly exhibited at the prestigious Paris Salon.
La Nymphe surprise, or Surprised Nymph, is a painting by the French painter Édouard Manet, created in 1861. The model was Suzanne Leenhoff, a pianist whom he married two years later. The painting is a key work of Manet's, marking the beginning of a new period in his artistic career and generally in the history of modernism in French painting.
Madame Manet at the Piano is a portrait by Édouard Manet of his wife Suzanne (née Leenhoff), painted in 1867-68 and now in the Musée d'Orsay, in Paris. [1] It highlights her talent on the piano ; she had played Wagner to Baudelaire during his last days.
Repose (French: Le Repos, 'Rest') is an oil on canvas painting by French painter Édouard Manet, from c. 1871. It is held in the Rhode Island School of Design Museum, in Providence. [1] The painting is a portrait of the artist Berthe Morisot, a regular model, who was married to Manet's brother, Eugène.
Portrait of Eva Gonzalès, 1869–70, by Édouard Manet. Eva Gonzalès (19 April 1849 – 6 May 1883) was a French Impressionist painter. She was one of the four most notable female Impressionists in the nineteenth century, along with Mary Cassatt (1844–1926), Berthe Morisot (1841–95), and Marie Bracquemond (1840–1916).
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