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Self-righteousness (also called sanctimony, sententiousness, and holier-than-thou attitudes) [1] [2] is an attitude and belief of moral superiority derived from a person deeming their own beliefs, actions, or affiliations to be of greater virtue than those of others. [3]
A "holier-than-thou" attitude is a form of self-righteousness. The phrase originates from Isaiah 65:5 in the King James Bible, which says (spelling modernized): “Stand by thyself, come not near to me; for I am holier than thou” Holier Than Thou may also refer to: Holier Than Thou, a science fiction fanzine
"Make themselves holier than the lay people and take so great lands and goods" (112). In his third argument, Tyndale lists the abuses of the common people by the church. Tyndale accuses the church of being more concerned with performing ceremonies than living by the laws set by Christ in scripture.
Michael John Parenti (born September 30, 1933) is an American political scientist, academic historian and cultural critic who writes on scholarly and popular subjects. He has taught at universities as well as run for political office. [1]
Laaleen Sukhera, the founder of the Jane Austen Society of Pakistan, told The Economist that Austen is relevant in the Indian subcontinent because society in South Asia is full of "disapproving Lady Catherine de Bourgh-esque society aunties, rakish Wickhams and Willoughbys, pretentious Mrs Eltons and holier-than thou Mr Collins types". [29]
The Tragedy of Troilus and Cressida, often shortened to Troilus and Cressida (/ ˈ t r ɔɪ l ʌ s ... ˈ k r ɛ s ɪ d ə / or / ˈ t r oʊ. ɪ l ʌ s /) [1] [2]), is a play by William Shakespeare, probably written in 1602.
Covers Metallica’s ‘Holier Than Thou,’ Their First New Song in Seven Years appeared first on SPIN. Following seven years of relative silence, punk supergroup OFF! are back with a new lineup ...
However, (along with Sonnet 20) Sonnet 87 is extraordinary in Shakespeare's insistent use of final extrametrical syllables or feminine endings, which occur in all but lines 2 and 4; for example, in the first line: × / × / × / × / × / (×) Farewell! thou art too dear for my possessing, (87.1)