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Suzannah Clark, a music professor at Harvard, connected the piece's resurgence in popularity to the harmonic structure, a common pattern similar to the romanesca.The harmonies are complex, but combine into a pattern that is easily understood by the listener with the help of the canon format, a style in which the melody is staggered across multiple voices (as in "Three Blind Mice"). [1]
"The Word Girl" is a song by the British pop band Scritti Politti. Included on their second studio album, Cupid & Psyche 85 , the reggae style track was released as a single in the UK on 29 April 1985 [ 2 ] and remains the band's highest charting hit in the UK, peaking at No. 6 on the UK Singles Chart . [ 3 ]
Following is a list of popular music songs which feature a chord progression commonly known as Andalusian cadences. Items in the list are sorted alphabetically by the band or artist 's name. Songs which are familiar to listeners through more than one version (by different artists) are mentioned by the earliest version known to contain ...
This is a partial list of recorded songs containing the '50s progression. The list does not include songs containing the progression for very short, irrelevant sections of the songs. In some cases, such as "Blue Moon", it includes notable remade recordings of songs ("covers") by other artists; but mostly the songs are shown in their original ...
"A Lover's Concerto" is a pop song written by American songwriters Sandy Linzer and Denny Randell, based on the 18th century composition by Christian Petzold, "Minuet in G major", and recorded in 1965 by the Toys. "A Lover's Concerto" sold more than two million copies and was awarded gold record certification by the RIAA. [1]
"Get That Love" is a song by the British pop group Thompson Twins, released on 9 March 1987 [1] as the lead single from their sixth studio album Close to the Bone. It was written by Alannah Currie and Tom Bailey , and produced by Rupert Hine and Bailey.
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Come as You Are" is composed in the key of E minor, while Kurt Cobain's vocal range spans one octave and one note, from a low of E 3 to a high of F ♯ 4. [1] The song alternates between the chords of E 5 and D 5 during the verses and E sus4 and G in the pre-chorus, while at the refrain it changes to the chord progression of A–C 5. [1]