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1942 was a turning point in the career of Kusumagraj, as the father-figure of Marathi literature, Vishnu Sakharam Khandekar, published Kusumgraj's compilation of poetry, Vishakha (विशाखा) at his own expense, and in his preface describing Kusumagraj as a poet of humanity, wrote, "His words manifest the social discontent but retain ...
A collection can include any number of poems, ranging from a few (e.g. the four long poems in T. S. Eliot's Four Quartets) to several hundred poems (as is often seen in collections of haiku). Typically the poems included in single volume of poetry, or a cycle of poems, are linked by their style or thematic material.
James Mercer Langston Hughes (February 1, 1901 [1] – May 22, 1967) was an American poet, social activist, novelist, playwright, and columnist from Joplin, Missouri.One of the earliest innovators of the literary art form called jazz poetry, Hughes is best known as a leader of the Harlem Renaissance.
Her most famous poem is probably Atlas, which opens, "There is a kind of love called maintenance." In 1987 Fanthorpe went freelance, giving readings around the country and occasionally abroad. In 1994 she was nominated for the post of Oxford Professor of Poetry. [6] Her nine collections of poems were published by Peterloo Poets.
In 1931, she published another collection of poetry, entitled Heights and Depths, which also dealt with love and social issues. Also in 1931, she wrote her first play, At What a Price, about a Jamaican girl who moves from the country into the city of Kingston to work as a stenographer and falls in love with her white male boss. The play opened ...
Small's last play was published in 1983. One of his famous poems is called "Doemanie." After decades spent out of the public eye, Small, on 14 September 2013, received a hero's welcome at the Breytenbach Centre in Wellington, where he was guest of honour at the centre's Poet Festival. He read a selection of poems from his latest anthology ...
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Language poetry emphasizes the reader's role in bringing meaning out of a work. It plays down expression, seeing the poem as a construction in and of language itself. In more theoretical terms, it challenges the " natural " presence of a speaker behind the text; and emphasizes the disjunction and the materiality of the signifier . [ 2 ]