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Concerto for Piano and Orchestra No. 1, Op. 30 (1938) Concerto for Piano and Orchestra No. 2, Op. 131 (1967) Concerto for Piano and Orchestra No. 3, Op. 162 (1973) John Adams. Grand Pianola Music (1982) Eros Piano (1989) Century Rolls for piano and orchestra (1997) Must the Devil Have All the Good Tunes? (2018) Richard Addinsell. Warsaw ...
The orchestra consists of oboes, strings and basso continuo of harpsichord, violoncello, violone and bassoon. Two trumpets and timpani highlight selected movements, in Part I the song of the angels, Glory to God in the highest , and with timpani the closing movements of both Part II, Hallelujah , and of Part III, Worthy is the Lamb .
In setting the four hymns to music, Vaughan Williams chose poems by Jeremy Taylor, Isaac Watts, Richard Crashaw, and Robert Bridges (a translation from the Greek). The cycle is sometimes called Four Hymns for Tenor and Strings and performed in an orchestrated version with a string orchestra replacing the piano part.
Music for a Prince: Two Pieces for Orchestra (1948) Penguinski (1933) Piano Concerto No. 2 in C, Op. 39 (1925) Serenade for 4 solo violins and string orchestra (1917) Puck's Minuet (1917) Piano Concerto No. 1 in C minor, Op. 4 (1913) Suite for string orchestra (1942) Elegy for viola, string quartet and string orchestra, Op. 15 (1917)
These are often designated "gospel songs" as distinct from hymns, since they generally include a refrain (or chorus) and usually (though not always) a faster tempo than the hymns. As examples of the distinction, "Amazing Grace" is a hymn (no refrain), but "How Great Thou Art" is a gospel song. During the 19th century the gospel-song genre ...
A writer of hymns is known as a hymnodist, and the practice of singing hymns is called hymnody; the same word is used for the collectivity of hymns belonging to a particular denomination or period (e.g. "nineteenth century Methodist hymnody" would mean the body of hymns written and/or used by Methodists in the 19th century). [23]
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