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Meinen Jesum laß ich nicht: 6: Jesum laß' ich nicht von mir: 29 [b] four-part chorale Sebald Heyden: 1525: O Mensch, bewein dein Sünde groß: 1: O Mensch, bewein dein Sünde groß: 29 [c] cantus firmus in choral movement Adam Reusner: 1533: In dich hab ich gehoffet, Herr: 5: Mir hat die Welt trüglich gericht' 32: four-part chorale Paul ...
Meinen Jesum laß ich nicht: 6: Jesum laß' ich nicht von mir: 29 [b] four-part chorale Sebald Heyden: 1525: O Mensch, bewein dein Sünde groß: 1: O Mensch, bewein dein Sünde groß: 29 [c] cantus firmus in choral movement Adam Reusner: 1533: In dich hab ich gehoffet, Herr: 5: Mir hat die Welt trüglich gericht' 32: four-part chorale Paul ...
Christian Keymann (also Christian Keimann; 27 February 1607 – 13 January 1662) was a German hymnwriter.He is known for writing the chorale "Meinen Jesum laß ich nicht" in 1658, which served as the base for Bach's chorale cantata Meinen Jesum laß ich nicht, BWV 124, and other compositions.
The cantata ends with a four-part setting of the chorale, "Meinen Jesum laß ich nicht, geh ihm ewig an der Seiten" (I will not let go of my Jesus, I will walk beside Him forever), [7] with a conjunct melody and active continuo line. [8] The last line is the same as the first, connecting to the beginning of the cantata. [7] [4]
Deutsch: Bach, Matthäuspassion BWV 244, Incipit Nr. 51 Gebt mir meinen Jesum wieder! Date: 10 November 2011: Source: Own work: Author: Wikiwal: Permission ...
Meinen Jesum laß ich nicht (I will not let go of my Jesus), [1] BWV 124, is a church cantata written by Johann Sebastian Bach. He composed it in Leipzig for the first Sunday after the Epiphany and first performed it on 7 January 1725.
Several English translations have been made of the hymn, including Catherine Winkworth's "Jesu, priceless treasure" in 1869, [2] and it has appeared in around 40 hymnals. [3] There have been choral and organ settings of the hymn by many composers, including by Johann Sebastian Bach in a motet , BWV 227 , for unaccompanied chorus, and a chorale ...
An English-language version of the hymn, not a translation of the original but sharing its rhyme scheme and Passion theme, has three stanzas. [7] The author of that version, who exemplifies the conservative tradition of the beginning of the 20th-century, pleads, in a "very sensitive and beautiful text", [ 8 ] for Christ, as maker of human joys ...