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Joseph Carstairs (2 March 1783 – 9 February 1844 [1]) was an English calligrapher and writing teacher who devised a new system and style of writing in the early 19th century. [2] Carstairs's system emphasised a "bold and free writing" when he first introduced it in 1809. [3]
First page of Paul's epistle to Philemon in the Rochester Bible (12th century). A modern calligraphic rendition of the word calligraphy (Denis Brown, 2006). Western calligraphy is the art of writing and penmanship as practiced in the Western world, especially using the Latin alphabet (but also including calligraphic use of the Cyrillic and Greek alphabets, as opposed to "Eastern" traditions ...
Copy slips or copy strips are small slips of paper which were commonly used to teach calligraphy and penmanship between 1500 and 1920. The strips, which typically measure about 8.5 inches (22 cm) by 3.5 inches (8.9 cm), display engraved or handwritten examples of calligraphy or good penmanship.
The first suzuri-bako were developed in 9th-century Japan. [2] At the time, calligraphy was an integral part of Japanese society. In order for a writer to produce a high-quality calligraphy script, a set of precise tools was needed. The most important of these tools was the inkstone, which was required to hold and transfer ink onto a writer's ...
Palmer Method, a form of penmanship instruction developed in the late 19th century that replaced Spencerian script as the most popular handwriting system in the United States; Round hand, a style of handwriting and calligraphy originating in England in the 1660s; Teaching script; Zaner-Bloser, another streamlined form of Spencerian script
Although siyah mashq sheets survive from ca. 1600, they seem to have been a particularly popular genre during the second half of the 19th century, i.e., during the artistic revival spearheaded by the Qajar ruler Nasir al-Din Shah, who reigned from 1848 to 1896.
Typography, type-founding, and typeface design began as closely related crafts in mid-15th-century Europe with the introduction of movable type printing at the junction of the medieval era and the Renaissance. Handwritten letterforms of the mid-15th century calligraphy were the natural models for letterforms in systematized typography. [1]
Detail of qifu (imperial dragon robe), late 19th or early 20th century, silk, gilt thread, twill and damask weave, embroidery, Honolulu Academy of Arts Detail of the central embroidery work of a woman's summer robe, silk gauze, c. 1875–1900, Qing dynasty .