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As a building material, stucco is a durable, attractive, and weather-resistant wall covering. It was traditionally used as both an interior and exterior finish applied in one or two thin layers directly over a solid masonry, brick, or stone surface. The finish coat usually contained an integral color and was typically textured for appearance.
The first coat is of coarse stuff finished fair with the darby float and scoured. A thin coat of setting stuff is then laid on, and trowelled and brushed smooth. Two-coat work is described as render and set on walls, and lath, plaster and set, or lath, lay and set on laths. Three-coat work is usually specified for high specification work.
Home in the Queenslander style. Australian residential architectural styles have evolved significantly over time, from the early days of structures made from relatively cheap and imported corrugated iron (which can still be seen in the roofing of historic homes) to more sophisticated styles borrowed from other countries, such as the California bungalow from the United States, the Georgian ...
The American artist, Brice Marden's monochrome works first shown in 1966 at Bykert Gallery, New York were inspired by frescos and "watching masons plastering stucco walls." [25] While Marden employed the imagistic effects of fresco, David Novros was developing a 50-year practice around the technique. David Novros is an American painter and a ...
[citation needed] In historic Nasrid architecture, the composition and color of stucco varied depending upon the purity of gypsum stone and additives used to bestow properties to the mixtures such as hardness, setting time, and binding. [25]: 23, 56 The chemical formula for gypsum is CaSO 4 •2H 2 O. Gypsum is the most common sulfate mineral. [29]
Rococo, less commonly Roccoco (/ r ə ˈ k oʊ k oʊ / rə-KOH-koh, US also / ˌ r oʊ k ə ˈ k oʊ / ROH-kə-KOH; French: or ⓘ), also known as Late Baroque, is an exceptionally ornamental and dramatic style of architecture, art and decoration which combines asymmetry, scrolling curves, gilding, white and pastel colours, sculpted moulding, and trompe-l'œil frescoes to create surprise and ...
While this house can still be described as Regency, its informal asymmetrical plan together with its loggias and balconies of both stone and wrought iron; tower and low pitched roof clearly are very similar to the fully Italianate design of Cronkhill, [10] the house generally considered to be the first example of the Italianate style in Britain.
Little of the original architecture survives; only a single multi-level section of the vast complex remains. Even in its original state, the House of Augustus would not have been a good representation of a typical domus, as the home belonged to one of Rome's most powerful, wealthy and influential citizens. In contrast, the homes of Pompeii were ...