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Musical technique may also be distinguished from music theory, in that performance is a practical matter, but study of music theory is often used to understand better and to improve techniques. Techniques such as intonation or timbre , articulation , and musical phrasing are nearly universal to all instruments.
In jazz, when one instrumentalist or singer is doing a solo, the other ensemble members play accompaniment parts. While fully written-out accompaniment parts are used in large jazz ensembles, such as big bands, in small groups (e.g., jazz quartet, piano trio, organ trio, etc.), the rhythm section members typically improvise their accompaniment parts, an activity called comping.
Free jazz, or free form in the early to mid-1970s, [1] is a style of avant-garde jazz or an experimental approach to jazz improvisation that developed in the late 1950s and early 1960s, when musicians attempted to change or break down jazz conventions, such as regular tempos, tones, and chord changes.
This is an A–Z list of jazz tunes which have been covered by multiple jazz artists. It includes the more popular jazz standards, lesser-known or minor standards, and many other songs and compositions which may have entered a jazz musician's or jazz singer's repertoire or be featured in the Real Books, but may not be performed as regularly or as widely as many of the popular standards.
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For example, in a software MP3 player for Windows, Android, or macOS, the desired tunes are typically dragged and dropped from the user's music library into the player's "edit or create playlist" window and saved. The idea of automatically generating music playlists from annotated databases was pioneered by François Pachet and Pierre Roy. [8]
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Live at the Jazz Workshop is a live album by jazz pianist Thelonious Monk, that was recorded at the Jazz Workshop in San Francisco. The album was recorded on November 3 and 4, 1964, [ 5 ] and released by Columbia Records in 1982.