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Charles Marion Russell (March 19, 1864 – October 24, 1926), [1] [2] also known as C. M. Russell, Charlie Russell, and "Kid" Russell, was an American artist of the American Old West. He created more than 2,000 paintings of cowboys, Native Americans, and landscapes set in the western United States and in Alberta, Canada , in addition to bronze ...
The National Statuary Hall Collection comprises 60 statues of bronze and 39 of marble. Several sculptors have created multiple statues for the collection, the most prolific being Charles Henry Niehaus who sculpted eight statues currently and formerly in the collection.
The Amon Carter Museum eventually purchased the Smith bronzes as well, [19] and as of 2000 owned about 60 Russell bronzes. [20] Dr. Philip G. Cole, a New York City tire company executive, had collected 46 Russell paintings and 27 bronzes, and these passed into the collection of oilman Thomas Gilcrease in 1944. [18]
Charles Marion Russell is a sculpture depicting the American artist of the same name by John Weaver. One version, a bronze, is installed in the United States Capitol's National Statuary Hall, in Washington, D.C., as part of the National Statuary Hall Collection. The statue was gifted by the U.S. state of Montana in 1959. [1]
[11] 4) Charles M. Russell, Medicine Man (1908) -- a detailed portrait of a Blackfeet shaman, reflecting Russell's empathy with Native American culture. [12] 5) Charles M. Russell, Meat for Wild Men (1924) -- a bronze sculpture that evokes the "grand turmoil" resulting as a band of mounted hunters descends upon a herd of grazing buffalo. [13]
Painting, bronze sculpture Charles Marion Russell, also known as "Kid Russell", was an American artist of the American Old West , who used to be a cowboy in ranch. His cowboy background gave him advantages in his art career that he was familiar with the cowboy life and qualified to record the western history in which he played a part. [ 23 ]
He received a teaching position in sculpture and figure drawing at the Layton School of Art in Milwaukee where he taught from 1946 to 1951. [4] He was a curator for the Montana Historical Society for five years. He worked as a Natural History Sculptor for the Smithsonian Institution for six years.
Entry into a statewide contest for a heroic-sized portrait of Charles M. Russell—a contest he failed to win—provided the impetus to become a "real" sculptor and attracted the support and guidance of Charlie Beil, a noted Canadian sculptor. Both men built foundries and cast their own bronzes, guaranteeing high quality.
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