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Letter cutting is a form of inscriptional architectural lettering closely related to monumental masonry and stone carving, often practised by artists, sculptors, and typeface designers. Rather than traditional stone carving, where images and symbols are the dominant features, in letter cutting the unique skill is "meticulous setting out and ...
Stone rubbing at the Vietnam Veterans Memorial A National Park Service volunteer kneels and uses paper and a graphite stick to create a rubbing of a name from the Vietnam Veterans Memorial. Stone rubbing is the practice of creating an image of surface features of a stone on paper. The image records features such as natural textures, inscribed ...
The fonts are publicly available and have few usage restrictions. [4] Vector fonts are easily scaled and rotated in two or three dimensions; consequently the Hershey fonts have been widely used in computer graphics, computer-aided design programs, and more recently also in computer-aided manufacturing applications like laser engraving.
Perpetua is a serif typeface that was designed by the English sculptor and stonemason Eric Gill for the British Monotype Corporation.Perpetua was commissioned at the request of Stanley Morison, an influential historian of printing and adviser to Monotype around 1925, when Gill's reputation as a leading artist-craftsman was high. [1]
Gill Sans is a humanist sans-serif typeface designed by Eric Gill and released by the British branch of Monotype from 1928 onwards.. Gill Sans is based on Edward Johnston's 1916 "Underground Alphabet", the corporate font of London Underground.
The font in Winchester Cathedral – the "most famous" of the Tournai fonts in England [14] – illustrates scenes from the life of St Nicholas of Myra on two faces, with three roundels of birds on the third and a roundel of a quadruped with birds on either side on the fourth. [14] It is the only font in the cathedral, and is located in the nave.
A few Shang inscriptions have been found which were brush-written on pottery, stone, jade or bone artifacts, and there are also some bone engravings on non-divination matters written in a complex, highly pictographic style; [8] the structure and style of the bronze inscriptions is consistent with these. [10]
Trajan is a serif typeface designed in 1989 by Carol Twombly for Adobe. [2] [1]The design is based on the letterforms of capitalis monumentalis or Roman square capitals, as used for the inscription at the base of Trajan's Column, hence the name.