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Also note that this image may not be in the public domain in the 9th Circuit if it was first published on or after July 1, 1909 in noncompliance with US formalities, unless the author is known to have died in 1953 or earlier (more than 70 years ago) or the work was created in 1903 or earlier (more than 120 years ago.)
The painting measures 50.7 cm x 60.2 cm. The image depicts a factory which was an unusual subject for the period, as it departed from the typical 19th century landscapes of distant smokestacks. In this painting Picasso reduced the factory and its chimney to rough geometric shapes, simplifying the forms to almost unrecognisable objects.
Forest and Dove (1927) is a painting by the German surrealist Max Ernst. It depicts a nocturnal scene of a forest of bizarre, abstract trees. In the thick of the forest is a childlike depiction of a dove. Both the forest and dove themes have appeared several times in Ernst's works.
Bigger Trees Near Warter or ou Peinture en Plein Air pour l'age Post-Photographique is a large landscape painting by British artist David Hockney. Measuring 460 by 1,220 centimetres or 180 by 480 inches, [ 2 ] it depicts a coppice near Warter , Pocklington in the East Riding of Yorkshire and is the largest painting Hockney has completed.
Flowering Orchards is a series of paintings which Dutch artist Vincent van Gogh executed in Arles, in southern France in the spring of 1888. Van Gogh arrived in Arles in February 1888 in a snowstorm; within two weeks the weather changed and the fruit trees were in blossom.
The art of penjing would again become vastly popular in China, in part due to stability returning to most people's lives and the significantly improved economic conditions; growth would be most pronounced particularly in coastal provinces of Jiangsu, Zhejiang, Fujian, Guangdong as well as Shanghai. There would be increasing numbers of good ...
The Tree of Crows (also known as Raven Tree) is an oil painting by the German Romantic artist Caspar David Friedrich, from 1822.Acquired by the Louvre in 1975 (the institution's first acquisition of a work by the artist, followed by Seaside by Moonlight in 2000), it has been called one of Friedrich's "most compelling paintings."
Erickson suggests that the painting is influenced by the Christian allegory The Pilgrim's Progress, visible in the prominent road and cypress tree. [4] The painting is one of several in which van Gogh uses cypresses prominently, and — as in Road with Cypress and Star — many of the paintings depict trees that extend beyond the top of the ...
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