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Coco (Original Motion Picture Soundtrack) is the soundtrack album to the Disney/Pixar's 2017 film of the same name.Released by Walt Disney Records on November 19, 2017, [1] the album features eight original songs written by Germaine Franco, Adrian Molina, Robert Lopez and Kristen Anderson-Lopez, four alternate versions and 26 score pieces composed by Michael Giacchino.
During late 2005, while Jowell and Randy were trying to repair the former's car at a gas station, a luxury car passed by. [8] [15] [18] Randy noticed the driver was Elías de León, a well known producer in Puerto Rico, owner of White Lion Records and famous for discovering rapper Tego Calderón, duos Calle 13 and Zion & Lennox, [18] as well as having executive produced various reggaeton ...
"Un Poco Loco" is an Afro-Cuban jazz standard composed by American jazz pianist Bud Powell. [ 1 ] [ 2 ] It was first recorded for Blue Note Records by Powell, Curly Russell , and Max Roach on May 1, 1951.
Joel Muñoz Martinez (born March 3, 1982) and Randy Ariel Ortiz Acevedo (born July 16, 1983), best known as Jowell & Randy, is a reggaeton duo from San Juan, Puerto Rico. [1]
"Remember Me" is a song from the 2017 animated Disney/Pixar film Coco, written by Robert Lopez and Kristen Anderson-Lopez. The song is performed variously within the film by Benjamin Bratt, Gael García Bernal, Anthony Gonzalez, and Ana Ofelia Murguía.
The full Spanish lyrics of “Fina” by Bad Bunny featuring Young Miko. Lyrics courtesy of Genius [Intro: Young Miko] Ey. Miko, ey. Miko, ey. Miko, prr. It’s Baby Miko [Verso 1: Young Miko ...
Speedy Gonzales is an animated cartoon character in the Warner Bros. Looney Tunes and Merrie Melodies series of cartoons. He is portrayed as "The Fastest Mouse in all Mexico" with his major traits being the ability to run extremely fast, being quick-witted and heroic, and speaking with an exaggerated Mexican accent. [1]
This form of salsa, which was slower-placed and more focused on its romantic lyrics, was known as salsa romántica. [24] The salsa romántica movement helped salsa continued to be relevant in spite of the rise of merengue music as well as moving away from lyrics dealing with social class. [25]