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2. Augmented sixth chord - Wikipedia

   en.wikipedia.org/wiki/Augmented_sixth_chord

   Other variants of augmented sixth chords can be found in the repertoire, and are sometimes given whimsical geographical names. For example: 4– ♭ 6–7– ♯ 2; (F–A ♭ –B–D ♯) is called by one source an Australian sixth, and 1- 2 - ♯ 4 - ♯ 6 (C - D - F ♯ - A ♯) sometimes called the Japanese sixth, Blackadder, or Ikisugi chord.

3. List of chords - Wikipedia

   en.wikipedia.org/wiki/List_of_chords

   Common chord (music) Diatonic function; Eleventh chord; Extended chord; Jazz chord; Lead sheet; List of musical intervals; List of pitch intervals; List of musical scales and modes; List of set classes; Ninth chord; Open chord; Passing chord; Primary triad; Quartal chord; Root (chord) Seventh chord; Synthetic chord; Thirteenth chord; Tone ...

4. Guitar chord - Wikipedia

   en.wikipedia.org/wiki/Guitar_chord

   Besides the dominant seventh chords discussed above, other seventh chords—especially minor seventh chords and major seventh chords—are used in guitar music. Minor seventh chords have the following fingerings in standard tuning: Dm7: [XX0211] Em7: [020000] Am7: [X02010] Bm7: [X20202] F ♯ m7: [202220] or ([XX2222] Also an A/F ♯ Chord)

5. List of chord progressions - Wikipedia

   en.wikipedia.org/wiki/List_of_chord_progressions

   The following is a list of commonly used chord progressions in music. Code Major: Major: ... 6: Major Twelve-bar blues: I–I–I–I–IV–IV–I–I–V–IV–I ...

6. Chord notation - Wikipedia

   en.wikipedia.org/wiki/Chord_notation

   Power chords are also referred to as fifth chords, indeterminate chords, or neutral chords [citation needed] (not to be confused with the quarter tone neutral chord, a stacking of two neutral thirds, e.g. C–E –G) since they are inherently neither major nor minor; generally, a power chord refers to a specific doubled-root, three-note voicing ...

7. Augmented triad - Wikipedia

   en.wikipedia.org/wiki/Augmented_triad

   One of the few examples of an augmented chord on the opening downbeat is in the Carmen Lombardo song "Seems Like Old Times": in Barber Shop Memories, Book 2 [4] the 4-part vocal score for the song (in the key of F) uses B ♭ –D–F ♯ to harmonize the downbeat as IV+ (the enharmonic equivalent of VI+).