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The Santa Maria del Fiore cathedral in Florence possesses the largest brick dome in the world, [2] [3] and is considered a masterpiece of European architecture.. Filippo di ser Brunellesco di Lippo Lapi (1377 – 15 April 1446), commonly known as Filippo Brunelleschi (/ ˌ b r uː n ə ˈ l ɛ s k i / BROO-nə-LESK-ee; Italian: [fiˈlippo brunelˈleski]) and also nicknamed Pippo by Leon ...
Renaissance architecture is the European architecture of the period between the early 15th and early 16th centuries in different regions, demonstrating a conscious revival and development of certain elements of ancient Greek and Roman thought and material culture.
Brunelleschi's domes at San Lorenzo and the Pazzi Chapel established them as a key element of Renaissance architecture. [12] His plan for the dome of the Pazzi Chapel in Florence's Basilica of Santa Croce (1430–52) illustrates the Renaissance enthusiasm for geometry and for the circle as geometry's supreme form.
The most common argument for crediting Brunelleschi is the chapel's clear similarity to the Old Sacristy; others argue that his style had developed in the twenty-year interim and that the Pazzi Chapel would represent a retrograde step. [4] The first written mention of Brunelleschi as the architect was written by an anonymous author in the 1490s ...
The Santa Maria del Fiore cathedral in Florence by Filippo Brunelleschi, which has the largest brick dome in the world, [1] [2] and is considered a masterpiece of world architecture. Italy has a very broad and diverse architectural style, which cannot be simply classified by period or region, due to Italy's division into various small states ...
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Filippo Brunelleschi (who had designed and executed the dome of the Duomo) was involved in its design which has remained rigorously simple and unadorned. In 1560, the choir screen was removed as part of changes arising from the Counter-Reformation and the interior of this area was rebuilt by Giorgio Vasari. As a result, there was damage to the ...
The chapel was built by Brunelleschi in the period in which he was active in the Spedale degli Innocenti, and was still supporting the feasibility of the dome of Santa Maria del Fiore. He had already studied a reduced version of his subject for the latter in the dome of the Ridolfi Chapel and repeated it in the Barbadori Chapel, though now his ...