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The same year, Smith and Lee co-wrote the song "Journey to Tyme" when the band was afforded additional time in the studio. Around the same time, Lightfoot, who was recently introduced to the Who 's music, shared his enthusiasm with the band by purchasing a fuzz tone pedal for use in the recording of the new song. [ 1 ]
A contrafact is a musical composition built using the chord progression of a pre-existing song, but with a new melody and arrangement. Typically the original tune's progression and song form will be reused but occasionally just a section will be reused in the new composition. The term comes from classical music and was first applied to jazz by ...
Nick Manoloff (1898-1969) was a manufacturer of steels/tone bars for stringed instruments to use for the method of steel guitar, an arranger and author of instrument method books and sheet music, and a distributor of musical supplies and publications. Nick Manoloff steel, traditional flat style
In the example on the top right, we see a series of quartal chords in parallel motion, in which the intervallic relationship between each consecutive chord member, in this case a minor second, is consistent. Each note in the chord falls by one semitone in each step, from F, B ♭, and E ♭ in the first chord to D, G, and C in the last.
"Separate Ways (Worlds Apart)" is a song performed by Journey, recorded for their album Frontiers and released as a single in January 1983. It peaked at number eight for six consecutive weeks on the Billboard Hot 100 chart, and spent four weeks at number one on the Top Tracks chart. [2]
The concept of harmonic function originates in theories about just intonation.It was realized that three perfect major triads, distant from each other by a perfect fifth, produced the seven degrees of the major scale in one of the possible forms of just intonation: for instance, the triads F–A–C, C–E–G and G–B–D (subdominant, tonic, and dominant respectively) produce the seven ...
Mikrokosmos, Volume V, No.136 "Whole-Tone Scales" Alban Berg. Violin Concerto [7] "Nacht" from Seven Early Songs [8] Hector Berlioz. Francs-Juges Overture [9] Ferruccio Busoni. An die Jugend for piano, the right hand part of the "Preludietto, Fughetta ed Esercizio" is based on the whole tone scale. [10] Frédéric Chopin
Some of the songs were performed on instruments made when the songs were written to allow the listener to experience the tonal properties of the original performances. Track 1: Martin 1-21 (1891), Gibson A-4 (1905) Track 2: Gibson Style "0" (1923), Gibson "3-Point" F-4 (1909) Track 3: Maurer Style 953 (c. 1915), Lyon & Healy Style A (1925)