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Cornice of Maison Carrée (Nîmes, France), a Roman temple in the Corinthian order, with dentils nearest the wall.. In Ancient Greek architecture and its successors using the classical orders in the tradition of classical architecture, the cornice is the topmost element of the entablature, which consists (from top to bottom) of the cornice, the frieze, and the architrave.
Crown moulding (interchangeably spelled Crown molding in American English) is a form of cornice created out of decorative moulding installed atop an interior wall. It is also used atop doors, windows, pilasters and cabinets.
A window cornice is an ornamental framework of wood or composition to which window curtains are attached by rods with rings or hooks. Cornices are often gilded and of elaborate design, but they are less fashionable today than before it had been discovered that elaborate draperies harbor dust and microbes.
(Gr. ἀετός, Lat. fastigium, Fr. ponton) In classic architecture, the triangular-shaped portion of the wall above the cornice which formed the termination of the roof behind it. The projecting mouldings of the cornice which surround it enclose the tympanum, which is sometimes decorated with sculpture. Pelmet A framework placed above a window.
Cornice: Generally any horizontal decorative moulding; Cove moulding or coving: Concave-profile moulding that is used at the junction of an interior wall and ceiling; Crown moulding: Wide, sprung moulding that is used at the junction of an interior wall and ceiling. General term for any moulding at the top or "crowning" an architectural element.
It exhibits three typical Italianate features: a prominently bracketed cornice, towers based on Italian campanili and belvederes, and adjoining arched windows. [1] The Italianate style was a distinct 19th-century phase in the history of Classical architecture.
From the 1850s, a number of buildings were designed that expand the Palazzo style with its rustications, rows of windows, and large cornice, over very long buildings such as Grosvenor Terrace in Glasgow (1855) by J. T. Rochead and Watts Warehouse (Britannia House), Manchester, (1856) by Travis and Magnall, a "virtuoso performance" in Palazzo ...
Muqarnas is typically applied to the undersides of domes, pendentives, cornices, squinches, arches and vaults and is often seen in the mihrab of a mosque. [15] It can also be applied across a flat surface as a decorative band or frieze. [ 3 ]
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