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Danger Man – Series 1 "The Danger Man Theme" Edwin Astley, series 2–4 "High Wire" Edwin Astley, series 2–4 in the U.S. as Secret Agent, "Secret Agent Man" theme composed by P. F. Sloan and Steve Barri, and recorded by Johnny Rivers. Daniel Boone – Vera Matson and Lionel Newman; (sung by The Imperials)
The Big O: Original Sound Score is the first soundtrack album of The Big O, released by Victor Entertainment on November 20, 1999. It contains the background music composed by Toshihiko Sahashi for the series' first season, plus the TV size versions of the opening and ending themes.
Television's Greatest Hits: 65 TV Themes! From the '50s and '60s is a compilation album of television theme songs released by Tee-Vee Toons in 1985 as the first volume of the Television's Greatest Hits series. It was initially released as a double LP record featuring 65 themes from television shows ranging from the mid-1950s until the late 1960s.
The "Buffy theme" is the music played alongside the opening credits of the show. The theme itself has no lyrics; it begins with several notes played by an organ, a signifier for horror in movie culture from the 1930s onwards, followed by upbeat rock music. The theme was played by the pop punk band Nerf Herder. In an interview the band explained ...
The track is an updated version of Edwin Astley's theme music from the 1960s TV series The Saint and plays over a scene towards the end of the film. The single's B-side , "The Sinner", [ 8 ] is an original composition developing elements of Orbital's arrangement from the A-side.
"Vertigogo" was used by the French TV show On a tout essayé as the opening theme. The song was playing in the car, where Lee's mother sits waiting for her in the parking lot in the film Secretary. A Singaporean TV series Three Rooms, also used this song as its intro. The song was used as the outro music for The Ron and Fez Show on WJFK.
24: The Soundtrack, released on December 7, 2004 in the US, is an album based on the Fox television drama series 24.It contains nineteen tracks of music composed exclusively for the first three seasons by producer Sean Callery, including the show's full theme song, which has never been aired.
The album was rushed to recording in June 1960, on the heels of “The Untouchables” having won four Emmy Awards, in a hopefully successful tie-in to the popular TV show. [3] Cash Box attributed the "thundering impact which the [show] has had on audiences" in part to "the vivid Nelson Riddle score," including the "pulsating main theme." [6]