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Raja Rai Singh was particularly influenced by Mughal art. They painted scenes from the Ragmala, Bhagavata Purana, and Rasalila. What distinguishes the Bikaner style of painting [3] from other Rajasthani styles of painting are finer lines and a more reserved range of colours than what are typically present in Mughal artwork.
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Art from Jodhpur, also known as the Marwar style, is defined by large thick eyes on well-defined physical features. [40] The Kishangarh artists championed the Bani-Thani figures, that is the perfect model of womanhood, and were inspired by Raja Sawant Singh. [41] A unique lyricism, elegance and rhythm characterise these masterpieces.
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Bani Thani was a singer and poet in Kishangarh in the time of Raja Sawant Singh (1748–1764), whose mistress she became. After he abdicated the throne the couple retired to a comfortable life in Vrindavan , a place associated with the life of Krishna and Radha , to whom Sawant Singh was greatly devoted.
Raja Balwant Singh examining a painting with Nainsukh, 1745–1750, Rietberg Museum. Raja Balwant Singh making a Hindu puja, c. 1750 Raja Dhrub Dev assesses a horse; it was usual for horses to be shown off in front of a white sheet, to better appreciate their form. Nainsukh (lit. ' Joy of the Eyes '; c. 1710 [1] – 1778) was an Indian painter.
Raja Balwant Singh’s Vision of Krishna and Radha by Nainsukh. Jasrota, c. 1745-1750. Metropolitan Museum of Art. The Kangra art style originated in Guler State, a small hill princely state in the Lower Himalayas in the first half of the 18th century when a family of Kashmiri painters trained in the Mughal painting style sought shelter at the court of Raja Dalip Singh (r. 1695–1741) of Guler.