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Although B major is usually considered a remote key (due to its distance from C major in the circle of fifths and fairly large number of sharps), Frédéric Chopin regarded its scale as the easiest of all to play on the piano, as its black notes fit the natural positions of the fingers well; as a consequence he often assigned it first to beginning piano students, leaving the scale of C major ...
List of musical scales and modes Name Image Sound Degrees Intervals Integer notation # of pitch classes Lower tetrachord Upper tetrachord Use of key signature usual or unusual ; 15 equal temperament
To go from A 4 up two semitones (one whole tone) to B 4, multiply 440 twice by the twelfth root of two (or once by the sixth root of two, approximately 1.122462). To go from A 4 up three semitones to C 5 (a minor third ), multiply 440 Hz three times by the twelfth root of two (or once by the fourth root of two, approximately 1.189207).
In this scheme, the major scale is 101010110101 = 2741. This binary representation permits easy calculation of interval vectors and common tones, using logical binary operators. It also provides a perfect index for every possible combination of tones, as every scale has its own number. [11] [12] Scales may also be shown as semitones from the ...
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Musical symbols are marks and symbols in musical notation that indicate various aspects of how a piece of music is to be performed. There are symbols to communicate information about many musical elements, including pitch, duration, dynamics, or articulation of musical notes; tempo, metre, form (e.g., whether sections are repeated), and details about specific playing techniques (e.g., which ...
The pattern of whole and half steps characteristic of a major scale. The intervals from the tonic (keynote) in an upward direction to the second, to the third, to the sixth, and to the seventh scale degrees of a major scale are called major. [1] A major scale is a diatonic scale. The sequence of intervals between the notes of a major scale is:
The numbers do not change when transposing the composition into another key. They are relative to the new Tonic. The only required knowledge is the major scale for the given key. Unless otherwise noted, all numbers represent major chords, and each chord should be played for one measure. So in the key of C, the Nashville Number System notation:
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