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Azur Lane: Slow Ahead! (アズールレーン びそくぜんしんっ！, Azūru Rēn Bisoku Zenshin!) is a Japanese yonkoma comic series written and illustrated by Hori. It is based on the Chinese side-scrolling shoot 'em up video game Azur Lane by Shanghai Manjuu and Xiamen Yongshi.
Azur Lane (Simplified Chinese: 碧蓝航线; traditional Chinese: 碧藍航線; pinyin: Bìlán Hángxiàn; lit. 'Deep Blue Course') is a side-scrolling shoot 'em up video game created by Chinese developers Shanghai Manjuu and Xiamen Yongshi, released in 2017 for the iOS and Android operating systems.
Azur Lane Queen's Orders (アズールレーン Queen's Orders, Azūru Rēn Queen's Orders) is a Japanese manga series written and illustrated by Tsuchii. It is based on the Chinese side-scrolling shoot 'em up video game Azur Lane by Shanghai Manjuu and Xiamen Yongshi.
Lux Radio Theatre ad art featuring Joan Crawford. An anthology series is a written series, radio, television, film, or video game series that presents a different story and a different set of characters in each different episode, season, segment, or short. [1]
Gregory Battcock (1937-1980) was an American art historian, art critic, and painter from New York City [1] who wrote a series of Dutton paperbacks that anthologized critical writings on new art tendencies in contemporary art, such as Minimalism, Conceptual Art, [2] Video Art, [3] and Super Realism. [4]
An easy example in theater or film is "breaking the fourth wall," when characters suspend the progress of the story to speak directly to the audience. When the aesthetic distance is deliberately violated in theater, it is known as the distancing effect , or Verfremdungseffekt , a concept coined by playwright Bertolt Brecht .
This category is for "one-shot" or "stand alone" anthologies of science fiction which are collections of stories written by multiple authors, but in which the stories do not have a shared universe, or other unifying theme (Best of year collections, Best of Magazine, etc.).
Raw was a comics anthology edited by Art Spiegelman and Françoise Mouly and published in the United States by Mouly from 1980 to 1991. It was a flagship publication of the 1980s alternative comics movement, serving as a more intellectual counterpoint to Robert Crumb's visceral Weirdo, which followed squarely in the underground tradition of Zap and Arcade. [1]