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The Phrygian mode is very similar to the modern natural minor scale (see Aeolian mode below). The only difference with respect to the natural minor scale is in the second scale degree, which is a minor second (m2) above the tonic, rather than a major second (M2). Tonic triad: Em; Tonic seventh chord: Em 7; Dominant triad: Bdim
List of musical scales and modes Name Image Sound Degrees Intervals Integer notation # of pitch classes Lower tetrachord Upper tetrachord Use of key signature usual or unusual ; 15 equal temperament
In the compound verbal constructions, there are forms for the indicative mood, the conditional mood, a mood for conditional possibility ("would be able to"), an imperative mood, a mood of ability or possibility, a mood for hypothetical "if" clauses in the present or future time, a counterfactual mood in the past tense, and a subjunctive mood ...
A three-note ligature followed by a succession of duple ligatures indicated mode 1; the reverse—a succession of duple ligatures ending with a ternary on—indicated mode 2; a single note followed by a series of ternary ligatures mean mode 3 and the reverse mode 4; uniform ternary ligatures signified mode 5, and a four-note ligature followed ...
A plagal mode (from Greek πλάγιος 'oblique, sideways, athwart') [7] [8] has a range that includes the octave from the fourth below the final to the fifth above. The plagal modes are the even-numbered modes 2, 4, 6 and 8, and each takes its name from the corresponding odd-numbered authentic mode with the addition of the prefix "hypo-": Hypodorian, Hypophrygian, Hypolydian, and ...
The potential mood is a mood of probability indicating that, in the opinion of the speaker, the action or occurrence is considered likely. It is used in Finnish, in Japanese, in Sanskrit (where the so-called optative mood can serve equally well as a potential mood), in Northern Wu, [10] and in the Sami languages.
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The Dorian mode or Doric mode can refer to three very different but interrelated subjects: one of the Ancient Greek harmoniai (characteristic melodic behaviour, or the scale structure associated with it); one of the medieval musical modes; or—most commonly—one of the modern modal diatonic scales, corresponding to the piano keyboard's white notes from D to D, or any transposition of itself.