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The word is sometimes spelled duffy. [2] It is both singular and plural. Much of Caribbean folklore revolves around duppy. Duppy are generally regarded as malevolent spirits who bring misfortune and woe on those they set upon. [1] They are said to mostly come out and haunt people at night, and people from around the islands claim to have seen them.
Akans are the only West Africans that have dwarves as spiritual entities, which are considered to be tricksters. The word is said among the Ga people but the Jamaican application of the word matches the now extinct and former Akan word. An Akan origin for Duppy is far more likely.) Demon, Ghost, often written in Jamaican English as "duppy" [1] [2]
Jamaican Patois (/ ˈ p æ t w ɑː /; locally rendered Patwah and called Jamaican Creole by linguists) is an English-based creole language with influences from West African, Arawak, Spanish and other languages, spoken primarily in Jamaica and among the Jamaican diaspora. Words or slang from Jamaican Patois can be heard in other Caribbean ...
Louise Simone Bennett-Coverley or Miss Lou OM, OJ, MBE (7 September 1919 – 26 July 2006), was a Jamaican poet, folklorist, writer, and educator.Writing and performing her poems in Jamaican Patois or Creole, Bennett worked to preserve the practice of presenting poetry, folk songs and stories in patois ("nation language"), [2] establishing the validity of local languages for literary expression.
In Jamaican English, the word duppy is associated with malevolent spirits returning to inflict harm upon the living [4] and bat refers to anything other than a bird that flies. [5] [6] The word "duppy" (also: "duppie") is also used in other West Indian countries, generally meaning "ghost".
Opal Palmer Adisa (born 6 November 1954) is a Jamaican and American poet, novelist, performance artist and educator. [1] Anthologized in more than 400 publications, she has been a regular performer of her work internationally. [2]
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Dub poetry has been a vehicle for political and social commentary, [7] with none of the braggadocio often associated with the dancehall. The odd love-song or elegy appears, but dub poetry is predominantly concerned with politics and social justice, commonly voiced through a commentary on current events (thus sharing these elements with dancehall and "conscious" or "roots" reggae music).