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But who may abide: Air B But who may abide: Rec. A (15) 13a. But lo, the angel of the Lord: Arioso S (18) 16a. Rejoice greatly, O daughter of Zion: Air S (19) Then shall the eyes of the blind: Rec. S (20) 17a. He shall feed His flock : Air S (36) 32a. Thou art gone up on high: Air B (36) 32b. Thou art gone up on high: Air S (38) 34a. How ...
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O Thou who changest not, abide with me. Not a brief glance I beg, a passing word, But as Thou dwell'st with Thy disciples, Lord, Familiar, condescending, patient, free. Come not to sojourn, but abide with me. Come not in terror, as the King of kings, But kind and good, with healing in Thy wings; Tears for all woes, a heart for every plea.
Messiah (HWV 56) [1] [n 1] is an English-language oratorio composed in 1741 by George Frideric Handel.The text was compiled from the King James Bible and the Coverdale Psalter [n 2] by Charles Jennens.
William Henry Monk (16 March 1823 – 1 March 1889 [1]) was an English organist, Anglican church musician, and music editor who composed popular hymn tunes, including "Eventide", used for the hymn "Abide with Me", and "All Things Bright and Beautiful". He also wrote music for church services and anthems. [1]
But who may abide The prophecy continues in two movements. The Air for soprano, alto, or bass, as a human reaction to the words of God, shows the trembling in the expectation of the Lord's appearance twofold in a dramatic scene.
The hymn appears as number 46 in the Seventh-day Adventist Hymnal and number 165 of the hymnbook of The Church of Jesus Christ of Latter-day Saints.. It has also been published in the 1978 Hymns of Praise edited by Reuel Lemmons; the 1971 Songs of the Church and the 1990 Songs of the Church 21st Century Edition both edited by Alton H. Howard; both the 1978 and 1983 Church Gospel Songs and ...
Handel's Messiah: A Soulful Celebration is a gospel album by various artists, released in 1992 on Warner Alliance.Executive produced by Norman Miller, Gail Hamilton and Mervyn Warren, it is a reinterpretation of the 1741 oratorio Messiah by George Frideric Handel, and has been widely praised for its use of multiple genres of African-American music, including spirituals, blues, ragtime, big ...
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